The Great Classics series from Naxos is the perfect introduction to myriad genres of classical music. Comprising both complete and compiled selections from the greatest works in the repertoire, the boxes are bursting with wonderful pieces of music, both recognizable and unfamiliar. The boxes take the listener on a thrilling tour of some of the worlds most dramatic musical media, encompassing music from six centuries and featuring sensational performers.
André Cluytens, though born in Belgium, achieved fame as one of the supreme French conductors of his era, renowned for his refinement and the sheer joy of his music-making. In the mid-20th century he built a substantial, varied and distinguished discography and became the first conductor to record the complete Beethoven symphonies with the Berliner Philharmoniker. This 64-disc set, uniting all his recordings of orchestral, concerto and choral repertoire, embraces the mainstream and the esoteric, and includes numerous items making their debut on CD or retrieved from the archives and released for the very first time.
The four-disc box set called the Acoustic Collection: 1999-2002 assembles the three albums Dolly Parton cut for the independent Sugar Hill label, and a hodgepodge bonus DVD. The albums – The Grass Is Blue, Little Sparrow, Halos & Horns – were all critically acclaimed as they signified a return by Parton to her bluegrass and backwoods country roots. That said, there are cover versions here of many songs, including one of Led Zeppelin's infamous, ubiquitous hit, "Stairway to Heaven." The enclosed DVD features five new song mixes for "Seven Bridges Road," "Travelin' Prayer," "Train, Train," "Shine," and "I'm Gone." There are two non-Parton performances recorded at the Dolly Parton Tribute by Kasey Chambers and Sinéad O'Connor, three videos for songs from this collection, and a duet performance between Parton and Norah Jones singing "The Grass Is Blue."
Features the high-fidelity SHM-CD format (compatible with standard CD player). Cover artwork faithfully replicates original one. Comes with lyrics and a description. Camel was still finding its signature sound on its eponymous debut album. At this point, Peter Bardens and his grand, sweeping organ dominate the group's sound and Andrew Latimer sounds tentative on occasion.
Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion. Cardboard sleeve (mini LP) reissue from SUPERTRAMP featuring the high quality SHM-CD format (compatible with standard CD players) and Cardboard sleeve (mini LP) replica of the original LP artwork. The ten-album SUPERTRAMP SHM-CD Cardboard sleeve (mini LP) reissue series featuring the albums "Supertramp," "Indelibly Stamped," "Crime Of The Century," "Crisis? What Crisis?," "Even In The Quietest Moments," "Breakfast In America," "Paris," "…Famous Last Words…." "Brother Where You Bound," and "Free As A Bird."
With her high-quality trio with Drew Gress and Kenny Wollesen, Sylvie Courvoisier presents her eleventh album on Intakt Records: Intakt CD 300. In both her playing and her composition she shows neoclassical influences mixed with European improvised music and the experimental nonconformismof the New York downtown scene.
Cardboard sleeve (mini LP) reissue from Traffic featuring the high-fidelity SHM-CD format (fully compatible with standard CD players). Part of a ten-album Traffic SHM-CD Cardboard sleeve (mini LP) reissue series featuring the albums "Mr. Fantasy," "Heaven is in Your Mind," "Traffic," "Last Exit," "John Barleycorn Must Die," "Welcome To The Canteen," "THe Low Spark of High Heeled Boys," "Shoot Out at the Fantasy Factory," "On The Road," and "When The Eagle Flies." Since Traffic's debut album, Mr. Fantasy, has been issued in different configurations over the years, a history of those differences is in order. In 1967, the British record industry considered albums and singles separate entities; thus, Mr. Fantasy did not contain the group's three previous Top Ten U.K. hits. Just as the album was being released in the U.K., Traffic split from Dave Mason.