Manhattan-native drummer Tony Moreno was born into and for music, his mother, Nina Dunkel Moreno, a noted harpist, pianist and educator. Oh, and he received his first drum kit at ten-years old from… Elvin Jones who became his early mentor and teacher. Moreno has had a long and storied career, filled with memories and mementos, many of the latter lost when Hurricane Sandy made East Coast landfall in October 2012. After losing his studio, library, and trove of his mother's musical memorabilia, The 55 Bar (55 Christopher St. (Sixth/Seventh Avenue) New York City, in the heart of Greenwich Village) offered Moreno a monthly residence for his quintet. It was during this period of rebuilding that Moreno conceived and assembled the two-disc Short Stories.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Spanish classical music had always aroused profound interest in Paco de Lucía. First came the album Lorca (1967), the records of Andalusian and Iberoamerican classics (65-69), afterwards came his magnificent work with Falla (1968) and from 1991 we must add this Concierto de Aranjuez and three pieces from the ‘Suite Iberia’ by Albeniz. His pledge here is clear: to offer out of the most profound respect a new perspective on the Classical Spanish canon, in Flamenco.
A signal moment in the arrival of Italian music on Spanish soil came in the summer of 1708 when Antonio Caldara, finding his opportunities for providing dramatic works for the opera-loving Duke of Mantua limited by the War of the Spanish Succession, headed off to Barcelona to take on acommission for putting on an operatic work from Archduke Charles (“Carlos III”), who was preparing his own wedding festivities at the court he had established in order to contend for the Spanish throne. For three centuries this serenata, Il più bel nome has (like much of the hugely successful theatre music of its time written by this Baroque composer from Venice) been passed over – thereby presenting Emilio Moreno and El Concierto Español with a superb opportunity to gather together an outstanding quintet of soloists to lead this paean of praise to St Elisabeth and, by extension, to Archduke Charles’ future wife, Princess Elisabeth Christine of Wolfenbüttel.
"Described by the Boston Globe's Michael Manning as a musician who plays "beyond virtuosity," guitarist Sharon Isbin has been a consistent challenge for critics, who struggle to find the right superlative that would do justice to her exquisite playing. "In her hands," wrote Anne Midgette in The New York Times, "the guitar takes on the precision of a diamond, each note a clear, shining facet that catches, prism-like, a glimpse of the spectrum." In essence, a performance by Isbin is like a painting by Vermeer: a formally impeccable and inexhaustible work of art."
“Perhaps a man really dies when his brain stops, when he loses the power to take in a new idea.” –George Orwell. Neuroethics might well be the most rapidly growing area within bioethics; indeed, in some respects neuroethics has grown as an independent field, with its own journals, professional society and institutional centers.
The first encounters of nontraveling Americans with the external forms of medieval art took place in the nineteenth century, through the Gothic revival—which we now tend to look upon with contempt—and Henry H. Richardson’s monumental but peculiar Byzantine-Romanesque architectural sctructures. …
The second recording and first studio set by the L.A. Four matched together Bud Shank on alto and flute, guitarist Laurindo Almeida, bassist Ray Brown, and drummer Shelly Manne for a diverse yet consistently enjoyable program. The selections range from "Dindi" and "Manteca" to "St. Thomas" and a 13-minute exploration of "Concierto de Aranjuez." As usual, the band mixes together bossa nova and Brazilian jazz, some touches of classical music, and cool-toned bop. Recommended as a strong example of the group's appealing sound.