"…This is an engrossing and distinguished release - I would urge all Brucknerians to hear it as a matter of priority." ~Fanfare
Bruckner's early string quartet is more a composition exercise than a full-fledged work of art, but the quintet is something else entirely: a chamber music masterpiece to rank with the great symphonies in expressive intensity and sheer musical grandeur. Indeed, there are a few places where Bruckner seems to demand an almost orchestral volume of tone, and the slow movement has been successful performed (and recorded) by a full string orchestra. The Intermezzo is none other than an alternative scherzo for the quintet, composed because the original players at the premier found Bruckner's first thoughts too difficult. Well, the members of L'Archibudelli certainly don't find the music too difficult–you won't find better performances anywhere.
“Hünteler’s disc is a gem. The tone of Hünteler’s flute is luscious, the passagework sparkling and limpid, the shaping of the phrases intimate and expressive, and the sounds of the strings blend beautifully … Highly recommended.“ (Fanfare)
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Tchekhov a la place du passeur dans la littérature russe de la fin du XIXe siècle.
A cheval entre la grande période romanesque incarnée par Dostoïevski et Tolstoï et les premiers pas du réalisme soviétique faits par Gorki, il n’arrive pas plus à donner un sens définitif qu’à s’engager dans le monde qu’il décrit : “Je n’ai pas encore de conception du monde politique, religieuse ou philosophique arrêtée. …
The creation of Daphne was not a simple affair, especially for what concerned the poetic text (due to the modest talent of the librettist Joseph Gregor), but on 15th October 1938 the opera was finally premièred at Dresden’s Staatstheater. On the podium was the young conductor Karl Böhm. Daphne is a masterpiece of early 20th-century vocal music. Structured in a single act, this opera is a solid work with a rich musical vein. Strauss’s orchestration appears, as always, remarkably refined. The vocal writing is demanding for all the main characters, but especially so for the protagonist, here interpreted by a magnificent June Anderson. Filmed in high definition at Venice’s La Fenice, the present production is directed by Paul Curran.
"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG