Annina Braunmiller

Gespenster-Krimi 7: Das Gruselkabinett  eBooks & eLearning

Posted by thingska at April 18, 2016
Gespenster-Krimi 7: Das Gruselkabinett

Gespenster-Krimi 7: Das Gruselkabinett von Earl Warren
Deutsch | 01:12:06 | 18. März 2016 | ISBN: 394575741X | Audiobook in MP3 / ~253 kbps | 132 MB

Amanda Hocking - Unter dem Vampirmond 2 - Verführung  eBooks & eLearning

Posted by thingska at Nov. 10, 2011
Amanda Hocking - Unter dem Vampirmond  2 - Verführung

Amanda Hocking - Unter dem Vampirmond 2 - Verführung
Genre: Fantasy | Time: 07:57:00 | Publisher: der Horverlag | ISBN: 3867178135 | 17. Oktober 2011
Language: Deutsch | Audiobook in MP3 / 128 kbps | 452.05 MB

Hochromantisch und Gänsehaut-spannend geht es im zweiten Teil der Vampirsaga weiter. Schmetterlinge im Bauch und Herzklopfen vor Aufregung garantiert die Lesung von Annina Braunmiller. Vampirliebe macht süchtig!

Verdi - La Traviata (Franz Welser-Most) (2006)  Music

Posted by Vilboa at Oct. 13, 2016
Verdi - La Traviata (Franz Welser-Most) (2006)

Verdi - La Traviata (Franz Welser-Möst) (2006)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | (DTS, 5 ch) | 7.41 Gb (DVD9) | 128 min
Classical | Arthaus Musik | Sub: Italiano, English, Deutsch, Francais, Espanol, Japanese

La Traviata, Giuseppe Verdi very personal opera, was premiered in 1853 at the Teatro La Fenice in Venice. The first night was a fiasco, but after a few revisions the opera set out to conquer the world. La Traviata offers no scope for grandiose crowd scenes or historical pomp. In keeping with the intimate nature of the action, Verdi’s music reflects the inner feelings of the protagonists. The heroine, whose emotional state is determined by external circumstances, is in the centre of the story of emotional upheavals. Jürgen Flimm haunting staging stays close to Verdi’s intent. He focuses on the protagonists, showing their shakiness, emotions, despair, love, sacrifice and tragedy rather than concentrating on the abysses of the Parisian demi-monde. Eva Mei and Piotr Beczala are a perfectly matched couple. Her soft and flexible soprano and his lyrical tenor, marked by excellent diction, work very well together, joined by the “golden” voice of outstanding Thomas Hampson.
Maria Callas - Verdi: La Traviata (1954/2014) [Official Digital Download 24/96]

Maria Callas - Verdi: La Traviata (1954) [Remastered 2014]
FLAC (tracks) 24-bit/96 kHz | Time - 160:26 minutes | 1,65 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Violetta, the most complex and fully-rounded of Verdi's heroines, was one of the roles that defined Maria Callas as an artist. She performed it more than 60 times between 1951 and 1958, most famously in Luchino Visconti's production at La Scala in 1955/56. It is often said that the role demands a different kind of voice for each act, and, when she made this recording for the Cetra label in 1953, Callas offered youthful, ringing power complemented by coloratura prowess and the capacity for great delicacy. More than 60 years on, her characterisation, in its subtlety and truth, still sets the standard for La traviata.

Maria Callas - Her Greatest Operas: Box Set 10 CD (2010)  Music

Posted by Discograf_man at April 29, 2015
Maria Callas - Her Greatest Operas: Box Set 10 CD (2010)

Maria Callas - Her Greatest Operas: Box Set 10 CD (2010)
Classical/Opera | MP3 CBR 320 kbps | 1,30 Gb | Covers 5,5 Mb
Label: Membrane | Release Year: 2010

Although Maria Callas died over three decades ago, she remains an icon: as a supreme singing-actress; as a celebrity, and as a woman of great style and elegance. The epitome of the operatic diva, the American-born Greek soprano is recognised as a singer who defined, and even redefined opera in the 20th century and she has never lost her place among the world’s top-selling classical artists.
Giuseppe Verdi - La Traviata (1977) [Deutsche Grammophon 1986] {Official Digital Download 24bit/88,2kHz} RE-UP

Giuseppe Verdi - La Traviata (1977) [Deutsche Grammophon 1986]
FLAC (tracks) 24 bit/88,2 kHz | Time - 110:02 minutes | 2,1 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Quite possibly the definitive studio recording of Verdi’s opera masterpiece, this stunning performance, brilliantly conducted by Kleiber, features multiple Grammy-winning tenor Plácido Domingo and the legendary soprano Ileana Cotrubaş. Originally recorded in 1977, this new high-definition release lends an unheard clarity to this already essential recording.
Liederjan - Der Mann mit dem Hut (Membran 203449-213) (GER 2003, 1981)

Liederjan - Der Mann mit dem Hut
FLAC | EAC, LOG & CUE | Artwork | Size: 311 MB
Cat#: Membran 203449-213 | Country/Year: Germany 1981, 2003
interchangeable mirrors at rapidshare.com - share.cx
Liederjan - Volksmusik aus der heilen Welt (Membran 203448-208) (GER 2003,1979)

Liederjan - Volksmusik aus der heilen Welt
FLAC | LOG & CUE | Artwork | Size: 299 MB
Cat#: Membran 203448-208 | Country/Year: Germany 1979, 2003
interchangeable mirrors at rapidshare.com - share.cx
Element Of Crime - Immer Da Wo Du Bist Bin Ich Nie (Vertigo 2727136) (GER 2009)

Element Of Crime - Immer Da Wo Du Bist Bin Ich Nie (Vertigo 2727136) (GER 2009)
2009 | FLAC | EAC, LOG | Artwork | 277 MB

Element of Crime is a German rock band that plays melancholic chanson-, pop- and rockmusic with guitar, bass, drums and voice/trumpet.

V.A. - Verdi: The Great Operas (25CDs, 1995)  Music

Posted by Discograf_man at Jan. 10, 2017
V.A. - Verdi: The Great Operas (25CDs, 1995)

V.A. - Verdi: The Great Operas (25CDs, 1995)
Classical, Opera | MP3 CBR 320 kbps | 3,67 Gb
Label: Brilliant Classics | Release Year: 1995

Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. His work has sometimes been criticized for using a generally diatonic rather than a chromatic musical idiom and for being essentially melodrama during his early years. He was an atheist. Verdi's masterworks dominate the standard repertoire a century and a half after their composition.