The box contains all of the Bach recordings made by Christopher Hogwoood and the Academy of Ancient Music for the L'Oiseau Lyre label on Decca. The whole set is compact and takes up little room on a storage shelf. The spine measures just two and a quarter inches thick. The box is a clam shell box. Each album is contained in a card sleeve. And the front of each sleeve has the same picture as the outer box. The back of each sleeve has the information about the album content. The recordings are on period instruments and the sound is excellent.
This collection represents the full range of Vivaldi recordings Christopher made with the AAM, and includes L'Estro Armonico Op.3, La Stravaganza Op.4, and the violin concertos Opp. 6, 8, 9, 11, and 12; solo concertos for flute (op. 10), oboe, bassoon, and cello; and various concerti grossi. Also featured are the complete cello sonatas, along with the cantatas "Amor, hai vinto" and "Nulla in mundo pax sincera", and sacred vocal works Stabat Mater, Nisi Dominus and the enduringly popular Gloria.
When Richard Maunder's editions get together with Christopher Hogwood and co, you know instantly that the result will be spot on. The sound of the boy treble line (singing alto as well) is earthy yet in tune, and well complemented by the strong lower parts. The orchestra is supportive yet unobtrusive. The dynamics and phrasing are all well chosen and executed. The choice of soloists is inspired, especially Arleen Auger - such a beautiful voice. It is just a pity that there is not more on the disc - some have argued in the 'Dona ut Kyrie' tradition that an Agnus Dei could be tacked on at the end using the music of the Kyrie. An excellent recording.
Led by Christopher Hogwood, the Academy of Ancient Music has made many renowned recordings of Handel's music-particularly the oratorios. The beloved Messiah heads up this 8-CD set, followed by Esther; La Resurezzione , and, making its return to the international catalog after an absence of several years, the 1985 recording of Athalia -with none other than Joan Sutherland in the title role! Recorded in London, 1979-85.
The Academy of Ancient Music does a wonderfully and good performance playing the pieces by Vivaldi one seldom hears and they are precious and surprising heart-touching compositions in the inimicable style of the enthusiastic Antonio. Good purchase of 6 CDs!
Classical music is one of the greatest joys in life. Opera on the other hand, is often too melodramatic to stomach. But there is nothing more enchanting than an Aria. On this 2 CD set, Emma Kirkby sings in sweet exultation. Her voice expresses power and agility yet a limpid tranquility. Clarity is the greatest achievement of any musician. With the aid of precision accompaniment on period instruments, shameless perfection is delivered. She soothes the soul longing for beauty. Her marvelous Soprano is rendered on 25 tracks in this eclectic ensemble. If you are a champion of Handel or a devotee of Mozart, you should not hesitate to purchase this CD. Emma Kirkby will have you beaming with delight and pining for more. Surely it will be one of the brightest of your collection.
A surprising fact from the musicological realm is that Haydn wrote about the same number of operas as Mozart–though it's true that some of them were written for the marionette theater at Esterhaza, rather than the opera house. In other words, old "Gius[eppe] Haydn"–as the title page of this opera refers to him–was a master. Better known to some by its alternate title, L'anima del filosofo, Haydn's Orfeo ed Euridice was written in 1791 for the King's Theater, Haymarket, during the composer's first English sojourn, but went unperformed there or anywhere else until 1950. The libretto, by Carlo Francesco Badini, is based on Ovid's Metamorphoses, with its decidedly unhappy ending to the story (Euridice dies a second time, Orpheus is poisoned, and the Bacchantes perish in a storm). While the score as a whole does not possess the kind of momentum or dramatic sweep one finds in Mozart, it nonetheless is vintage Haydn: highly imaginative in its use of a large orchestra, with numerous fine choruses and beautiful arias. A strong cast has been assembled for this recording, with Cecilia Bartoli a special delight in two roles–Euridice, a lyric role requiring remarkable agility, and the Genio (or Sybill), originally written for a castrato, whose one aria ("Al tuo seno fortunato") is a coloratura tour de force. The score is played with marvelous fluency by the Academy of Ancient Music under the direction of Christopher Hogwood, contributing to a realization that is, in every respect, elegantly informed. (Ted Libbey)
…The Queen Anne Ode is a solemn piece, again, a real pleasure to listen to, but not exactly a memorable showstopper. If you are a fan of Hogwood, as am I, this is a must have CD. Nothing he ever did is a complete wash, and this collection a far cry from it. This is Vintage Hogwood. Call it "Early Original Instrument."
This six-CD box set brings together four major concerto sets composed including the most famous Il Cimento dell'Armonia e l'Invenzione awarded pride of place.
The eminently reliable Academy of Ancient Music play their period instruments with consummate zest under their charismatic conductor Christopher Hogwood and these sets date back to the early digital cum late analogue days when the fabled 'L'Oiseau-Lyre' label still produced those lavishly packaged boxes with their distinctive white covers and the wonderful paintings.
This is a magnificent recording with an absolute dream cast. Despite its historical context within the late 11th century battles between the Crusades and the Saracens, Handel's "Rinaldo", written in the early 18th century, is actually a fanciful tale of love, devotion and betrayal populated by kings and warriors, fair maidens and sorcerers. It has all the elements of a great period action movie produced by Jerry Bruckheimer…