Analogue Drums

Analogue Drums DeadBeat KONTAKT  Software

Posted by orientazure at Feb. 11, 2016
Analogue Drums DeadBeat KONTAKT

Analogue Drums DeadBeat KONTAKT | 1.53 Gb

DeadBeat is a dampened kit in a 60s/70s pop style. Based around a 3-ply '70s Ludwig kit with a selection of vintage Zildjian cymbals, Ludwig and Premier snares. Deadbeat will do the Abbey Road tea-towel thing, and is also great for dry Funk and RnB, contemporary Folk and Indie, Pop, and a whole lot more.

Analogue Drums Royale KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Royale KONTAKT

Analogue Drums Royale KONTAKT | 2.49 Gb

Royale is a vintage jazz kit played with mallets. Based around a mint '70s Rogers kit with select vintage Paiste and Zildjian cymbals, Rogers Dynasonic, Ludwig and Gretsch snares. Royale delivers a toneful foundation for jazz and other genres, and is versatile enough to handle everything from delicate parts to raucous beats. The mix of the kit can be taken from crisp and intimate through to roomy and spacious with a few fader adjustments.

Analogue Drums Smoker KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Smoker KONTAKT

Analogue Drums Smoker KONTAKT | 3.08 Gb

Smoker is a jazz kit with all the credentials ticked. Based around a toneful '70s Rogers kit with a selection of classic snares and cymbals, Smoker has a warm vintage tone fit for soulful and sparse quartets, hyped up frenetic bebop, bombastic big band, funked up lounge and everything in between. The mix of the kit can be taken from crisp and articulate to smooth and spacious with a few fader adjustments. Played with hand selected maple 7a sticks to bring out deep and subtle tones.

Analogue Drums Boxer KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Boxer KONTAKT

Analogue Drums Boxer KONTAKT | 2.11 Gb

Boxer is a punchy alt rocker with a boxy edge. It has an unpretentious direct sound with alt rock and pop written all over it. A solid kick, toneful toms, and three snares cover plenty of ground, each snare giving the kit a completely different feel. The kit works equally well for laid back grooves or fast and frantic flurries. Hear the kit for yourself by checking out the demos.

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK  Software

Posted by Dizel_ at Nov. 29, 2015
That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK | 170 Mb

Welcome to a place where the real and digital worlds collide. Its a soundscape where acoustic and analogue drums swim in lush reverbs. This is Cinematic Pop Drums. This is the library for when regular drum sounds don’t convey the depth, atmosphere, and sense of scale you’re looking for. Perfect for the modern pop, EDM and rock producer, this library contains a concise set of kicks, snares, claps, toms, hats, snaps and effects – processed and ready to add that ‘widescreen’ cinematic feeling to your tracks.
The Oscar Peterson Trio - We Get Requests (1964) [Analogue Productions, Remastered 2011] Audio CD Layer

The Oscar Peterson Trio - We Get Requests (1964) [Remastered 2011]
EAC | FLAC | Tracks (Cue&Log) ~ 235 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included | 00:40:20
Bop, Swing, Mainstream Jazz | Label: Analogue Productions, Verve | # CVRJ 8606 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. This 1964 studio session features the Peterson trio with bassist Ray Brown and Ed Thigpen, a group that had been together for five years by then and performed like a well-oiled machine. The repertoire is mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies. Even in their lightest moments, though, the group demonstrates some of the qualities that made it among the most influential piano trios in jazz, a group that could generate tremendous rhythmic energy and a sense of developing musical detail. For all his legendary force, Peterson possesses a subtle rhythmic sense, and here he infuses even "People" with an undercurrent of swing. This is undemanding, tuneful music best suited for casual listening, but it still sparkles with the trio's customary élan.
Kenny Burrell - Midnight Blue (1963) [Analogue Productions, Remastered 2010] Audio CD Layer

Kenny Burrell - Midnight Blue (1963) [Remastered 2010]
XLD | FLAC | Tracks (Cue&Log) ~ 240 Mb | Mp3 (CBR320) ~ 107 Mb | Scans included | 00:44:07
Hard Bop, Jazz-Blues, Guitar Jazz | Label: Analogue Productions, Blue Note | # CBNJ 84123 SA

Midnight Blue is a 1963 album by Jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. Jazz Improv Magazine lists the album among its top five recommended recordings for Burrell, indicating that "if you need to know 'the Blue Note sound', here it is". In 2005, NPR included the album in its "Basic Jazz Library", describing it as "one of the great jazzy blues records".
Billie Holiday - Songs For Distingue Lovers (1957) [Analogue Productions, Remastered 2012] Audio CD Layer

Billie Holiday - Songs For Distingué Lovers (1957) [Remastered 2012]
EAC | FLAC | Tracks (Cue&Log) ~ 214 Mb | Mp3 (CBR320) ~ 95 Mb | Scans included | 00:33:16
Vocal Jazz, Swing, Standarts | Label: Analogue Productions/Verve | # CVRJ 6021 SA, B0016709-06

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. It is undeniable that Billie Holiday's singing changed in her later years. Her voice darkened and shifted to a lower range. Her economy of means distilled her sound to its expressive essence - a kind of heightened speech. The classic LP Songs For Distingue Lovers has also deepened and become burnished with time. Maybe it's that still-arresting word, "distingue"; maybe it's that iconic, tinted image of Lady Day on the cover. But now that legendary LP, with the singer's best studio work of the Fifties, is available as a Hybrid SACD!
Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956) [Analogue Productions Remastered 2014] Audio CD Layer

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956)
The Prestige Mono Series, Remastered 2014, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 110 Mb | Scans included
Cool, Hard Bop, Saxophone Jazz | Label: Analogue Productions | # CPRJ 7074 SA | 00:44:01

These SACD jackets feature printed wraps mounted to chipboard shells, producing an authentic, "old school" look and feel. Some people call these "mini LP" jackets. This unusual meeting of four tenor saxophone players from different "schools" was part of the Prestige Friday afternoon jam session series but far from a typical outing. The giant forebears of Coleman Hawkins, Lester Young, and Charlie Parker inform the backgrounds of the performers on this LP — Hank Mobley, Al Cohn, Zoot Sims, and John Coltrane — and other influences such as Ben Webster, Dexter Gordon, and the Sonnys (Stitt and Rollins) show up, too, depending on which of the four protagonists you’re talking about.
Billie Holiday - All Or Nothing At All (1958) [Analogue Productions, Remastered 2012] Audio CD Layer

Billie Holiday - All Or Nothing At All (1958) [Remastered 2012]
EAC | FLAC | Tracks (Cue&Log) ~ 327 Mb | Mp3 (CBR320) ~ 136 Mb | Scans included | 00:51:12
Vocal Jazz, Swing, Standarts | Label: Analogue Productions/Verve | # CVRJ 8329 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. After the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957, but All or Nothing at All, is a magnificent culmination of her years with the producer. As this set demonstrates in the subtle blending and dissolving of moods within one number as well as in the emotional changes throughout the program as a whole, perhaps the primary reason Holiday was always able to reach so deeply into her listeners is that more than any other jazz singer, she could communicate the complexities of feeling in which we are all involved. This audiophile hybrid SACD remastering from Analogue Productions offers listeners the best possible sound quality.