Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
Until now, the official recordings of Miles Davis' performances at the Fillmore East between June 17 and 20, 1970 have been limited to the double album Miles at the Fillmore. That set's producer Teo Macero, edited the recordings to create medleys of each night's music to four roughly 20-minute selections. This four-disc set contains all four concerts. There are 100 minutes of previously unreleased music from Wednesday through Saturday; an additional 35 minutes of unreleased music comes from a previous gig at the Fillmore West.
After a scission of the avant-garde group "Kluster" due to the departure of Conrad Schnitzler, the two musicians Dieter Moebius and Hans Joachim Roedelius go to work in duet as "Cluster". The band's first years were clearly orientated to Krautrock and to experimental electronic music. Consequently, the production of the band started with massive, radical improvisations, constructed around electric organ works, electronic collages, guitar sound manipulations, feed back. The result is rather similar to Kluster's underground, conceptual music, very chaotic with lot of distortion and reverb. With its repetitive, hypnotic guitar patterns and embryonic electronic collages, the second album "II" can be seen as a classic in 70's German electronic underground…
This collection can truly be called 'The Ultimate Collection' since it contains all the tracks they ever released. On this collection each track can be found as either a studio recording or a live recording.Disc one contains the complete debut album with some tracks from the second and third album. This disc gives the best example of how good Solution is. At their best they make progressive, jazzy music with references to Soft Machine and Supersister. The music is mainly instrumental with few vocals. But when they sing it sounds very nice. Disc two is less interesting. It starts good with a remaining track from 'Cordon Bleu', but with the fourth album Solution made more mainstream music. Most progressive music lovers will loose interest here.