These are not your usual recordings. They are field recordings, created by fans on cassette tapes with equipment sitting on jazz club tables or attached to house sound systems, catching a master jazz musician and his band in acts of purest creativity. Woody has been labeled by many jazz critics and historians as the "Last Great Innovator" and has influenced jazz performers of all instruments ever since his arrival on the scene in the early 60s and beyond his death in 1989. Previously unreleased field recordings from the 1970's and '80's courtesy of Woody Shaw III and Steve Turre. Produced with the help of the Woody Shaw Global Arts Foundation. Liner notes include commentary by jazz historian Tammy Kernodle and jazz trumpeter/educator Pat Harbison.
Jazz Loves Disney was recorded between Paris, London and Los Angeles by a dream cast. It is incredibly coherent, as if all participants had agreed to pay a rightful tribute to the most beautiful and symbolic tunes of Walt Disneys magic world, as if nothing was too good for the stars when they revisited the classics and the sweet childhood memories connected to them. This is the ultimate proof of the impact Disney has had on generations of jazz musicians, including the ones taking part in Jazz Loves Disney.
Two of singer Chris Connor's finest Atlantic albums are reissued in full on this single CD. The laid-back yet coolly emotional jazz singer is heard backed by top-notch rhythm sections (with either Ralph Sharon or Stan Free being the pianist/arranger) and occasional horns (trumpeter Joe Wilder, flutist Sam Most, tenors Al Cohn and Lucky Thompson, flutist Bobby Jaspar and Al Epstein on English horn and bass clarinet) adding some short solos. Connor (then around 30) was in her prime, and her renditions of such songs as "Poor Little Rich Girl," "Lonely Town," "I'm Shooting High," "Moonlight in Vermont," and even "Johnny One Note" are memorable and sometimes haunting.
Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt!