Fine works by any standards, the two string quintets on this disc become even more significant in light of the marginal role accorded to chamber music in the flowering of Russian music during the second half of the 19th century. The common goal of many composers of the period was the creation of a national musical idiom based on Russian folk song, and to them chamber music seemed far too abstract as well as too closely associated with German traditions. There were of course exceptions, and Alexander Glazunov is an obvious example: never a dogmatic nationalist he was himself a competent amateur cellist who learned his craft by playing chamber music, and composed a number of chamber works: in his worklist the Quintet in A major appears between the third and the fourth of his seven string quartets.
French reissue of the German progressive rock act's 1993 album (recorded in 1975). This album is the soundtrack of a little known movie released by Philippe Garrel in the seventies. As the movie itself, the music score delivered by A.R.T is very oniric and represents one of the most representative illustration of introspective and dreamy evocations in sound.Each composition is unique and develops its own atmosphere sometimes plaintive, sometimes sad and grave. Stylistically, "Le berceau de cristal" is dominated by pure electronics from the seventies, electric organs,guitar echoes…put together to create delicate and peaceful musical lines.This album can't be ignored. It stands as a monument in electronic space music and soundtrack.
Space is the Place is an album by Sun Ra and His Intergalactic Solar Arkestra. The music was recorded in early 1972 in San Francisco, California for the film Space Is the Place. However, the music remained unreleased until Evidence Music issued a compact disc in 1993. The soundtrack CD compiles 16 tracks that Sun Ra recorded for the film.
These two discs from Sun Ra and his Solar Myth Arkestra are not, as their title suggests, parts of a singular or continuous work. They were initially issued as two separate titles – similar to the two-part Heliocentric Worlds of Sun Ra – by the Belgian BYG Actuel label in 1971. Both volumes consist of mid-fidelity and primarily self-realized and -produced recordings. Despite the claim that these sides were taped in New York City at Sun Studios, Ra discographer Robert L. Campbell notes that by the time these tracks were documented, the Arkestra had ended its N.Y.C. residency and returned to Philadelphia.