This film of Kenneth MacMillan's hugely-popular ballet Manon is the perfect twin to his classic Romeo & Juliet, released on September 29th, 2009. Once again, the romantic male lead is taken by the charismatic Carlos Acosta, and once again his beautiful partner is Tamara Rojo. Prévost's famous tale is set to the sensual music of Massenet and the Royal Ballet's staging is played out against the sumptuous set and costume designs of Nicholas Georgiadis. Manon is the third DVD release from Decca's new exclusive artist, Carlo Acosta. The Cuban superstar builds on his stunning Spartacus and romantic Romeo & Juliet performances as the ardent young lover, Des Grieux, in MacMillan's classic version of the tragedy. This high-definition film of Manon is one of the most popular ballets in the Royal Ballet's repertory, having received over 200 performances since its premiere in 1974. The DVD also includes an extensive (40 min) and fascinating documentary film, `Dancing Manon', featuring interviews with Carlos Acosta, Tamara Rojo, Monica Mason (Director of the Royal Ballet) and Ross MacGibbon (TV Director).
Few figures from Greco-Roman antiquity have undergone as much reassessment in recent decades as Callimachus of Cyrene, who was active at the Alexandrian court of the Ptolemies during the early third century BC. Once perceived as a supreme example of ivory tower detachment and abstruse learning, …
Imagine follows Cuban ballet superstar Carlos Acosta in London and Havana as he masterminds a new production of Carmen for the Royal Ballet before stepping back from the classical repertoire and looking to the future with a series of ambitious new projects in Cuba. Alan Yentob explores Acosta's plans to create his own unique dance company and foundation in his homeland, and his dream of transforming a spectacular yet derelict architectural treasure in the outskirts of Havana into a world-renowned beacon for dance, finishing a project first begun by Fidel Castro and Che Guevara over 50 years ago. Imagine offers a fascinating insight into a remarkable artist at a critical time for both him and Cuba.
Cuban Superstar Carlos Acosta dances Romeo in Kenneth Macmillan’s timeless version of the Shakespeare/Prokofiev Classic Ballet ‘Romeo & Juliet.’ In this perennial favourite, Carlos Acosta dances alongside his regular partner, the Spanish ballerina, Tamara Rojo – a celebrated stage partnership which currently has no equal. The drama of the doomed lovers is set against the ravishing sets and costumes designs of Nicholas Georgiadis.
Giselle remains one of the most popular Romantic ballets of all time. The story brings together an engaging mix of human passions, supernatural forces, and the transcendent power of self-sacrificing love. The production by Sir Peter Wright catches the atmosphere of this great Romantic ballet, especially in the perfection of its White Act, with ghostly maidens drifting through the forest in spectacular patterns – one of the most famous of any scenes for the corps de ballet…
Ever since it’s triumphant premiere in January 1960, Frederick Ashton's La fille mal gardée has been esteemed as one of his happiest creations. This is a charming piece, elegantly performed, a village love affair set in the idyllic Constable landscape of Ashton's imagination. Marianela Nuñez and Carlos Acosta would be show-stoppers in almost any suitable role, but as Lise and Colas they are superb. William Tuckett and Jonathan Howells, in the comic roles of Simone and Alain respectively, are every bit as arresting, both displaying a certain genius for knockabout. The luminously colourful Osbert Lancaster designs, together with the vitality of The Royal Ballet’s dancing and vibrant playing from the Orchestra of the Royal Opera House under the baton of Anthony Twiner, serve to augment the harmless good fun at which Ashton excels.
Ludwig Minkus’s Don Quixote has held a place in the repertoire since its premiere at the Bolshoi Theater in 1869. The music is charming and well orchestrated, but persistently a little bland. There are plenty of melodies, but none of them are particularly distinctive. This is certainly not Tchaikovsky or Prokofiev. The poor boy meets rich girl love story interwoven with the fantastic adventures of Don Quixote has attracted the biggest names in ballet over the years, with Marius Petipa’s original classical production being followed by Rudolph Nureyev, Mikhail Baryshnikov, and George Balanchine. Now, it is Carlos Acosta’s turn. His choreography is based on Petipa, but he has modernized it with his trademark physicality, and some new unclassical sounds (clapping, vocal exclamations) from the corps de ballet on stage.