At this point, the band was best-known as a British blues unit. Slowly but surely the band was becoming more acclimated with a production style that was reminiscent of the California pop sound. With the majority of the blues and psychedelic behind them, Mystery to Me finds Fleetwood Mac in a more ruminative vein…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Genius work from trumpeter Blue Mitchell – one of his most solid sides as a leader from the 60s, and a well-deserved treasure in the Blue Note catalog! The album's quite different than the straight soul jazz of Blue's early days on Riverside – or the more arranged dates of the late 60s – and it features him moving in a soulful, lyrical, modal style – quite similar to Horace Silver in conception, but with a fresh execution that's mighty nice – and which marks Mitchell as one of the fresher trumpet voices of his generation!
As iconic in 2014 for her timeless beauty and stage appeal as she is for her artistic versatility, Freda Payne remains among music’s and show business’ brightest shining star survivors. Her latest album, Come Back To Me Love (her first for the Artistry Music imprint) marks not only a return to the big band and stringsladen classics from her mid-`60s beginnings with Impulse! but also marks a return to her hometown of Detroit. That makes this 14-song album featuring Grammy® award-winner Bill Cunliffe’s musical arrangements—from the vibes-kissed Kenny Rankin waltz “Haven’t We Met” to the lonely evening fireplace musings of “Lately”—a beautiful homecoming.
Saxophonist Phillip Johnston founded The Microscopic Septet in 1980 when the group briefly counted John Zorn as one of its members. They recorded four albums and were a regular presence in New York's downtown scene before disbanding in 1992. In 2006 Cuneiform Records re-released the four albums leading to the reformation of the group and presently, to their new release Been Up So Long It Looks Like Down to Me: The Micros Play the Blues.