Albinoni Magnificat

MAGNIFICAT  Music

Posted by alekhno at Feb. 1, 2008
MAGNIFICAT

Magnificat Vivaldi, Albinoni, Sammartini, Caldara
Budapest Madrigal Choir The Budapest Strings

Classical | FLAC & CUE | 1 CD | Covers | 363 Mb | rs.com

T.Albinoni - 12 Concerti а cinque, op.5  Music

Posted by alekhno at March 20, 2010
T.Albinoni - 12 Concerti а cinque, op.5

Tommazo Albinoni - 12 Concerti a cinque, Opera V (Venezia, 1707)
Classical | EAC | FLAC, CUE, LOGS | 2 CD | Covers | 609 Mb | rs.com | 1999
Le Cameriste

Tomaso Albinoni - An Entertainment of Harmony  Music

Posted by alekhno at Dec. 15, 2009
Tomaso Albinoni - An Entertainment of Harmony

Tomaso Albinoni- Sonatas, Concertos & a Fugue for flute, recorder, oboe, cello, harpsichord & organ
Classical | ECD-DA Extractor | FLAC, CUE, NO LOG | 1 CD | Covers | 370 Mb | rs.com | 1999
Badinage

During the eighteenth century music publishers, and occasionally composers themselves, adapted sonatas originally intended for string instruments, for wind instruments. The adaptation of Albinoni's violin sonatas for woodwind instruments has a historical precedent set by one of the great musicians of the French Baroque. The composer, flautist, bassoonist, gambist and instrument maker Jacques Hotteterre Le Romain (c. 1680-1761) adapted some of Albanian's violin sonatas for the flute….
Albinoni - Sonate da Chiesa, Op. 4, Trattenimenti Armonici, Op. 6

Tomaso Albinoni - 6 Sonate da Chiesa, Op. 4,
12 Trattenimenti Armonici per camera, Op. 6

Classical | EAC Rip | Flac, CUE, NO LOG | 2 CD | Covers | 960 Mb | rs.com | 1994
The Locatelli Trio: Elizabeth Wallfisch, violin
Richard Tunnicliffe, cello
Paul Nicholson, harpsichord & organ

Albinoni - Double Oboe Concertos & String Concertos, Vol.1  Music

Posted by alekhno at Sept. 17, 2009
Albinoni - Double Oboe Concertos & String Concertos, Vol.1

Tomaso Albinoni - Double Oboe Concertos & String Concertos, Vol.1
Classical | EAC Rip | Flac, CUE, NO LOG | 1 CD | Covers | 380 Mb | rs.com | 1996
Collegium Musicum 90, Simon Standage

Italian Baroque: The Instrumental Edition: Albinoni, Barsanti, Bassani [2016]

Italian Baroque: The Instrumental Edition: Albinoni, Barsanti, Bassani [2016]
Classical | Brilliant Classics 95430 | TT: 56.02+64.27+45.11+47.13+42.23+38.25 | EAC (FLAC, cue, log) | Covers | 1.51 Gb

A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L'Arte dell'Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, MusicaAmphion/Pieter Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance!
Orchestre Les Passions - Blanchard: Magnificat à la Chapelle Royale (2016) [Official Digital Download]

Orchestre Les Passions - Blanchard: Magnificat à la Chapelle Royale (2016)
FLAC (tracks) 24-bit/48 kHz | Time - 76:01 minutes | 792 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

As Jean-Marc Andrieu presses ahead with the rediscovery of Antoine Blanchard’s works which he began thirty years ago, he has ably performed this mission — indeed, it is a joyful way of “doing justice” to his compositions! The three motets à grand chœur showcased herein – two of which have been recorded for the first time – are amongst those religious works representative of the music of Louis XV’s Chapel in the middle of the Eighteenth Century. They make a most pleasant addition to our knowledge about the musician.
Odhecaton & Paolo da Col - Scarlatti: Missa Defunctorum, Salve Regina, Miserere & Magnificat (2016) [24/88]

Odhecaton & Paolo da Col - Scarlatti: Missa Defunctorum, Salve Regina, Miserere & Magnificat (2016)
FLAC (tracks) 24-bit/88.2 kHz | Time - 76:23 minutes | 1.29 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This recording is a discovery of Alessandro Scarlatti’s heretofore unknown sacred music, where Renaissance tradition meets Baroque sensibility for a unique and compelling recording. At the core of Odhecaton’s latest offering is the Missa defunctorum for four voices and basso continuo. It is in this magnificent score – recorded for the first time using the critical edition of Luca Della Libera – that primarily contrapuntal writing gives way to Scarlatti’s stylistic choices of great expressivity and rhetorical force, such as in the case of the astonishing Lacrimosa.
Ricercar Consort, Philippe Pierlot - J.S. Bach: Magnificat (2009) [Official Digital Download 24/88]

Ricercar Consort, Philippe Pierlot - J.S. Bach: Magnificat (2009)
FLAC (tracks) 24-bit/88.2 kHz | Time - 64:40 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Philippe Pierlot and the Ricercar Consort's 2006 recording of Bach's Magnificat brings back the glory days of historically informed performances, those halcyon days in the 1980s when musicians, empowered by scholarship and energized by virtuosity, were recording the Baroque repertoire with the zeal of the newly converted. Though Pierlot and his musicians are of a younger generation, they bring a missionary fervor to the music, a program of Bach's Magnificat, BWV 243, and Missa Brevis, BWV 235, interspersed with two well-chosen organ works, the Fuga sopra il Magnificat, BWV 733, and the Präludium und Fuga, BWV 541.
Odhecaton, Paolo Da Col - Scarlatti: Missa Defuntorum; Magnificat; Miserere; Salve Regina (2016)

Odhecaton, Paolo Da Col - Scarlatti: Missa Defuntorum; Magnificat; Miserere; Salve Regina
XLD Rip | FLAC (tracks)+cue, log, d.booklet | 76:23 min | 334 MB
Label: Arcana - A 398 | Tracks: 19 | Rls.date: 2016
Classical, Choral

This recording is a discovery of Alessandro Scarlattis heretofore unknown sacred music, where Renaissance tradition meets Baroque sensibility for a unique and compelling recording. At the core of Odhecatons latest offering is the Missa defunctorum for four voices and basso continuo. It is in this magnificent score recorded for the first time using the critical edition of Luca Della Libera that primarily contrapuntal writing gives way to Scarlattis stylistic choices of great expressivity and rhetorical force, such as in the case of the astonishing Lacrimosa.