A serial killer brutally slays and dismembers several gay men in New York's S&M and leather districts. The young police officer Steve Burns is sent undercover onto the streets as decoy for the murderer. Working almost completely isolated from his department, he has to learn and practice the complex rules and signals of this little society. While barely seeing his girlfriend Nancy anymore, the work starts changing him.
Driven by an extravagant, tour-de-force performance by Al Pacino, Scent of a Woman is the story of Frank Slade (Pacino), a blind, retired army colonel who hires Charlie Simms (Chris O'Donnell), a poor college student on the verge of expulsion, to take care of him over Thanksgiving weekend. At the beginning of the weekend, Frank takes Charlie to New York, where he reveals to the student that he intends to visit his family, have a few terrific meals, sleep with a beautiful woman and, finally, commit suicide. The film follows the mis-matched pair over the course of the weekend, as they learn about life through their series of adventures. Though the story is a little contrived and predictable, it pulls all the right strings, thanks to O'Donnell's sympathetic supporting role and Pacino's powerful lead performance, for which he won his first Academy Award. Scent of a Woman is based on the 1975 Italian film Profumo Di Donna.
Given the opportunity to travel back in time, specifically to the end of March, 1972, for the sole purpose of going to the movies in a major U.S. city, your choices of the notable films released that month were interesting and varied. The original Tales from the Crypt with Peter Cushing, and Frogs, with Ray Milland and Sam Elliott, might satisfy your desire to bring a little Horror into your life. If you would prefer a dose of Sci-Fi, you could choose Silent Running starring Bruce Dern, or the film version of Kurt Vonnegut's classic novel Slaughterhouse-Five, in which Perry King and Valeria Perrine each received their first screen credit. Barbra Streisand and Ryan O'Neal's What's Up, Doc? satisfied both female audiences and the "date night" movie niche for the month…
Norman Jewison's blackly satirical look at the American justice system has gained in stature as one of the more incisive social commentaries of its time. Al Pacino plays Arthur Kirkland, an incorruptible attorney who attempts to initiate reforms in the Maryland justice system. Kirkland is haunted by the fates of two past clients, one of whom committed suicide in jail; the other is still alive but is locked up on a trumped-up traffic violation. The ability of power and money to distort the pursuit of justice becomes all too clear as Kirkland finds out how deeply the rot has spread. He is ultimately blackmailed into defending a repulsive judge (John Forsythe) accused of rape, and faces a crisis of conscience. Pacino's and Forsythe's performances are intense and powerful. Many critics found the film biting and almost painful in its razor-sharp indictment of the justice system, while others declared the script too outrageous.
Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process. Howard Hawks' "X Marks the Spot" motif in depicting the story line's many murders is dispensed with in the 1983 Scarface; instead, we are inundated with blood by the bucketful, especially in the now-infamous buzz saw scene. One carry-over from the original Scarface is Tony Montana's incestuous yearnings for his sister Gina (Mary Elizabeth Mastrantonio). The screenplay for the 1983 Scarface was written by Oliver Stone.