Tristesse in French means sadness - the quiet heartache of remembrance. Contemplation of such melancholy emotions is the focus of French composer PAUL SAUVANET's eloquently tender music for digital chamber orchestra. Contemplation of Tristesse - the quiet heartache of remembrance emotions is the focus of French composer PAUL SAUVANET's eloquently tender music for digital chamber orchestra.
This compilation is a perfect work/study/contemplation CD, when you want to reduce the hum and din of modern life. It's wonderfully played, and has 23 tracks for a total of 72:45 minutes of melodic, serene music. The famous Adagio in G minor, so often heard in films, etc., is here given a lovely rendition. Played a little faster than most other versions, with the individual instruments (especially the harpsichord) being heard clearly. It's not as lush and smooth as some recordings, but crisper, and to my ears, absolutely delightful. It's hard to pick favorites among the other selections…each piece is a baroque beauty that flows well from one track to the next. I'm sure this CD will please most people who like 18th century music.
This is a Great Classical piece for the lovers of classical, as well as the ones who may hate it. These Adagios CDs get beter and better each time there is a new release. I must warn you there some good as well as some bad ones. There is a certain Adagio flavor for everyones.
Continuing their Adagios series, the folks at Decca have combed the archives once again and assembled another soothing collection of beautiful melodies, Violin Adagios. This time the soulful sound of the violin takes center stage in a program of the most memorable slow-paced music written for the instrument. Opening with Kennedy's rendition of Massenet's mournful "Meditation" from Thaïs, the double-disc set continues with performances by legends like Arthur Grumiaux and Henryk Szeryng, along with newly minted stars such as Joshua Bell, Kyung-Wha Chung, and Leila Josefowicz. And all the essential composers – from Bach to Beethoven to Brahms – are represented, too, on this album in celebration of the violin, that most lyrical of instruments.Barnes & Noble
While Decca is well aware that the average listener no longer knows the difference between a symphony, an overture, or a concerto, they are hoping that the general consumer will remember that an adagio is a slow musical piece. At least Decca is banking on that to the tune of ten double-disc Adagio sets, in which Midnight Adagios is a single entry. Given its scope, generous program, and top-notch artists, Midnight Adagios is a safe bet for musical enjoyment, in addition to providing the relaxation trumpeted on the front cover.
This 2 CD compilation has a number of the greatest adagios Mozart composed, performed by some of the greatest conductors and musicians in the world. Mozart was such a prolific composer of incredibly beautiful music in his short 35 years that one can easily imagine a second 2 CD set of his adagios in this series. The quality of the performances and the sound quality of the recordings on both CDs are outstanding.
Compilations take their fair share of justified criticism, but sometimes you just feel like listening to one type of music – maybe slow music – maybe slow Baroque music – maybe slow Vivaldi. If that happens to be the case, then this Virgin Classics album of Vivaldi certainly fits the bill and, as compilations go, is nicely put together. Of course, it wouldn't be Vivaldi if it didn't have some Four Seasons, but only four of 18 tracks are devoted to this popular work, letting listeners branch out into the breadth of Vivaldi's other compositions. Virgin Classics also does listeners a favor by using strong performances by ensembles like the London Chamber Orchestra and the Taverner Choir, and exceptional soloists like countertenor David Daniels. Even the progression of keys from one track to another seems well thought out, never jarring listeners with radical, sudden changes. While the surrounding movements of these Adagios are equally gratifying and fulfilling, anyone looking specifically for some calming, laidback Baroque music would certainly do well with this album. ~ Mike D. Brownell, Rovi