Abbado Verdi Berlin

Mahler - Fifth Symphony - Abbado w/ Berlin  

Posted by daksya at March 1, 2010
Mahler - Fifth Symphony - Abbado w/ Berlin

Gustav Mahler's Symphony No. 5 - Claudio Abbado w/ Berlin Philharmonic Orchestra
1 CD, 69:30 | D D D | Deutsche Grammophon | EAC, FLAC tracks, No CUE, No Logs | LQ Cover | RS | 302 MB
Classical - Romantic period | Orchestral Music - Symphony | Composed 1902 | Recording 1993

Gramophone:
..only a select few get through to the subtext. Abbado is one.
Verdi - Messa da Requiem (R. Alagna, A. Gheorghiu, D. Barcellona, J. Konstantinov, cond. C. Abbado) 2001 [HDTV 720p]

Verdi - Messa da Requiem (Roberto Alagna, Angela Gheorghiu, Daniela Barcellona, Julian Konstantinov, cond. Claudio Abbado) 2001 [HDTV 720p]
AVC [email protected], 1280x720p (16:9), 3.6 Mbps, 25 fps | AC-3 384 Kbps, 2 ch | 01:28:59 | 2.57 Gb
Classical, Choral | Unitel Classica | HDTV->MKV

Messa da Requiem by Giuseppe Verdi (1813-1901), performed by Berlin Philharmonic Orchestra (conductor Claudio Abbado), Swedish Radio Chorus, and Eric Ericson Chamber Choir, on the 100th anniversary of Verdi's death (January 27, 2001).

Carlo Maria Giulini - Verdi: Rigoletto (1980/2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Dec. 1, 2016
Carlo Maria Giulini - Verdi: Rigoletto (1980/2016) [TR24][OF]

Carlo Maria Giulini - Verdi: Rigoletto
Classical | FLAC (tracks) 24-bit/96 kHz | 119:30 min | 2.00 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 34 | Rls.date: 2016

The Giulini set on DG, with Cappuccilli, Cotrubas and Domingo is exceptional: searching, humane, powerfully registered… It can also be said that neither Bonynge nor Sinopoli search out the score's prevailingly dark sonorities as surely as Giulini (in his insistence on the score's dark colours and his interest in its portrayal of primary human affections.
Types & uniformes de l'Armee rouge vus a Berlin en 1945 / Uniforms of the Red Army in Berlin in 1945 (Repost)

G. A. Chresteil - Types & uniformes de l'Armee rouge vus a Berlin en 1945 / Uniforms of the Red Army in Berlin in 1945
Editions du Panache | 1946 | ISBN: N/A | French / English | 30 pages | PDF | 34.36 MB

Orchestral Tools Berlin Woodwinds EXP D SFX Woodwind Effects KONTAKT  Software

Posted by orientazure at Nov. 26, 2016
Orchestral Tools Berlin Woodwinds EXP D SFX Woodwind Effects KONTAKT

Orchestral Tools Berlin Woodwinds EXP D SFX Woodwind Effects KONTAKT | 14.3 Gb

Berlin Woodwinds Exp D SFX Collection expands our wonderfully captured Berlin Series with playable multi-sampled tonal and atonal effects. It is recorded with the level of flexibility and depth of sampling the Berlin Series is renowned for since its first Collection release.

Embarcadero Delphi 10.1 Berlin Update 2 Lite 13.2  Software

Posted by scutter at Nov. 24, 2016
Embarcadero Delphi 10.1 Berlin Update 2 Lite 13.2

Embarcadero Delphi 10.1 Berlin Update 2 Lite 13.2 | 3.1 Gb

Embarcadero released the second update of RAD Studio, Delphi, and C++Builder 10.1 Berlin, with significant new features (mostly focused on Windows 10 Anniversary Update) and quality improvements.

Orchestral Tools Berlin Percussion BUNDLE incl. EXP A Timpani KONTAKT  Software

Posted by orientazure at Nov. 13, 2016
Orchestral Tools Berlin Percussion BUNDLE incl. EXP A Timpani KONTAKT

Orchestral Tools Berlin Percussion BUNDLE incl. EXP A Timpani KONTAKT | 83.2 Gb

Berlin Percussion marks another major addition to the Berlin Series. A series well known for its flexibility, detail and its extensive sets of articulations, recorded with first call musicians from world-famous Orchestras at the Teldex Scoring Stage in Berlin.
Arturo Toscanini  - The Television Concerts 1948-52 Vol.3: Verdi - Aida (2005/1949)

Arturo Toscanini - The Television Concerts 1948-52 Vol.3: Verdi - Aida (2005/1949)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.65 Gb (DVD9) | 150 min
Classical | Testament

One of the most acclaimed musicians of his era, Toscanini was a conductor of the "old school" - aristocratic, perfectionistic and something of an autocrat on the podium. After a brief flurry of interest in Fascism in the 1910s, he rapidly became disillusioned with the movement and indeed became a personal rival of Mussolini, repeatedly antagonising him through acts of artistic defiance such as refusals to open concerts with the Fascist anthem Giovinezza.
Eventually he fled Italy for the United States, becoming the first conductor of the newly-formed NBC Symphony Orchestra, with whom he pioneered radio broadcasts and recordings that made him a household name in America until his retirement at the age of 87. He gave the premiere performances of several major works, including Barber's Adagio for Strings and the American premiere of Shostakovich's Seventh Symphony.
Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995) (Repost)

Maria João Pires, Claudio Abbado - Mozart: Piano Concertos Nos. 17 & 21 (1995)
EAC | FLAC (image+.cue, log) - 262 MB | MP3 (CBR 320 kbps) - 178 MB | Covers + Digital Booklet | 56:24
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439941

This work is very hard to characterize emotionally, but it sighs and it sings enigmatically. Surprisingly, so many performances are very straightforward, never capturing these soulful, longing qualities that almost approach reverie at times. Not so this time. The interplay here is amazing, Pires' delicate approach is ideal for this music, and the conducting is elastic in that "Furtwanglerian" way. But don't get the impression this is bloated, Romantic Mozart…it's not. (Maybe Furtwangler wasn't the right name to evoke after all.
Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)

Maria João Pires, Wiener Philharmoniker, Claudio Abbado - Mozart: Piano Concertos Nos. 14 & 26 (1993)
EAC | FLAC (image+.cue, log) - 241 MB | MP3 (CBR 320 kbps) - 149 MB | Covers + Digital Booklet | 52:00
Genre: Classical | Label: Deutsche Grammophon | Catalog: 4375292

Maria-Joào Pires has recorded these concertos before, for Erato, and this experience shows in assured playing. In K449 I find the sound of the Vienna Philharmonic, recorded in Vienna's Musikverein, too big: the string section seems large and the hall over-reverberant. Furthermore, the piano sounds plummy, and even those who dislike the fortepiano may question its suitability. With these reservations, one can enjoy Pires's deft and sensitive performance, without strong individuality but offering consistent intelligence, and the brisk finale shows her and Abbado at their best. Even so, this is a romanticized slow movement; the gooey orchestral sound does not help, but the pianist is also partly responsible in a way that I have sometimes noted in her performances of Mozart's sonatas.