Yun's composition for symphonic forces started with "sound compositions", i. e. of works, in which homogeneous sound planes are articulated and elaborated: "Bara" (1960) until "Overture" (1973; rev. 1974). A period of discursively structured instrumental concertos followed, beginning with the "Concerto for Violoncello and Orchestra" (1975/76), and climaxing with the "Violin Concerto No. 1" (1981). From 1982 until 1987 he wrote a cycle of five symphonies which are interrelated, yet varied structurally. Striving for freedom and peace is above all "Symphony V" for high baritone and large orchestra (1987) with texts by Nelly Sachs. In 1984 he developed also a new, intimiate "tone" in his chamber music.
"A composer cannot view the world in which he lives with indifference. Human suffering, oppression, injustice… all that comes to me in my thoughts. Where there is pain, where there is injustice, I want to have my say through my music." - Isang Yun, 1983
While Sven Helbig's Pocket Symphonies is presented by Deutsche Grammophon as a collection of lavishly produced songs in symphonic guise, the style has more in common with adult contemporary or easy listening categories than with classical music. Despite the appearance of Kristjan Järvi, the MDR Leipzig Radio Symphony, and the Fauré Quartet, who bring ample talent and commitment to the proceedings, the album actually consists of lush and occasionally lively instrumentals that no one would mistake for western symphonic music, except for the use of an orchestra.
Ani Yun Wiya (David Thomas) - Native American world/new age music.
The liner notes of this collection of the complete Dvorák symphonies are at best peculiar and at worst off putting. Rather than focusing on the symphonies themselves, their historical significance, or Dvorák's compositional evolution, they instead concentrate on lauding the conductor, the fame of the orchestra, and the number of albums sold when these recordings were first released. All of this may be more tolerable if the recordings themselves lived up to the hype. But, sadly, they do not. While the performances are certainly adequate, they fail to bring anything new or special to the listener. The earlier symphonies, which are not Dvorák's strongest from a compositional standpoint, are not infused with any extra energy or vitality to make them more captivating to the listener. Sound quality throughout the cycle is often dull; lower instruments such as the basses and tympani sound as if they are playing from under a pillow. Even the more popular latter symphonies (Seven, Eight, and Nine) are simply adequate. The brass playing, particularly in the Eighth Symphony, is frequently not together and the sound quality is unattractive. If listeners are in the market for a complete set of these symphonies, they would do well to consider the set made by the London Symphony Orchestra under Istvan Kertesz instead.
Leonard Bernstein - Jean Sibelius: The Symphonies - Remastered Edition collects Bernstein’s complete Sibelius recordings, newly remastered from the original analogue tapes using 24 bit / 96 kHz technology in a 7CD limited original jackets collection.
Otto Klemperer was born on 14th May 1885 in Breslau, Silesia (now Wroclaw, Poland) and died on 6th July 1973 in Zurich and hence next year we mark 40 years since his passing. Although disfigured by a stroke suffered whilst a brain tumour was being removed he became a world-renowned conductor whose recordings became and remain touchstones for the EMI catalogue.
The Bournemouth Sinfonietta was founded in 1968 as a chamber orchestra of about 35 players to complement the work of the larger Bournemouth Symphony Orchestra. The first conductor was Kenneth Montgomery, followed by Maurice Gendron, Norman Del Mar, Roger Norrington, Tamás Vásáry, and Alexander Polianichko, as well as director/violinists Ronald Thomas and Richard Studt. The Sinfonietta has appeared at the BBC Proms, with Glyndebourne Touring Opera, for the National Opera Studio, at the major British music festivals, on tour in Europe and Brazil, and on over 70 recordings (many featuring the work of contemporary British composers).
This 16-disc set contains what is without a doubt the most distinguished collection of Mahler performances ever to have been assembled in one place. DG has sensibly collected all of Bernstein's Mahler for Polygram labels, including the London "Das Lied von der Erde," and all of the orchestral song cycles: "Song of a Wayfarer," "Kindertotenlieder," "Rückert-Lieder," and "Des Knaben Wunderhorn." All of these recordings have been issued separately to general critical acclaim, and despite a veritable warehouse of new Mahler discs in the '90s, Bernstein's versions by and large still reign supreme.