Yun's composition for symphonic forces started with "sound compositions", i. e. of works, in which homogeneous sound planes are articulated and elaborated: "Bara" (1960) until "Overture" (1973; rev. 1974). A period of discursively structured instrumental concertos followed, beginning with the "Concerto for Violoncello and Orchestra" (1975/76), and climaxing with the "Violin Concerto No. 1" (1981). From 1982 until 1987 he wrote a cycle of five symphonies which are interrelated, yet varied structurally. Striving for freedom and peace is above all "Symphony V" for high baritone and large orchestra (1987) with texts by Nelly Sachs. In 1984 he developed also a new, intimiate "tone" in his chamber music.
"A composer cannot view the world in which he lives with indifference. Human suffering, oppression, injustice… all that comes to me in my thoughts. Where there is pain, where there is injustice, I want to have my say through my music." - Isang Yun, 1983
In this first complete survey of the Boccherini symphonies, Johannes Goritzki's achievement is remarkable. Himself a cellist, he shows a natural feeling for Boccherini's special combination of galant and classical styles, revealing the music's strengths rather than its weaknesses, making the most of its colour and revelling in its fecundity of invention and easy tunefulness. The playing - on modern instruments - of the German Chamber Academany Orchestra of Neuss is alert, polished and warmhearted, besides showing a nice feeling for Boccherini's delicate Andantinos, which are never sentimentalized. The recording is excellently balanced and has plenty of life and bloom (Penguin Guide To Compact Discs)
This 37-disc box set is the only brand new and fully digital recording of the complete symphonies of Haydn. Performed by the Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) and conducted by Dennis Russell Davies, the recordings were done live in connection with concerts of the whole cycle. The series received fantastic reviews by the press, and The Stuttgart Chamber Orchestra was awarded the European Chamber Music Prize in 2008. Available at a fantastic price, the set is released to tie in with the 200th anniversary of the composer’s death in 2009.
You will probably be as incredulous as I was to learn that the greatest cycle of Mahler symphonies comes not from any of the usual suspects - Abbado, Bernstein, Chially, Haitink, Kubelik, Rattle, Sinopoli, Solti, Tennstedt - but from the unsung Gary Bertini, who spent the better part of his career as music director of the Cologne Radio Symphony Orchestra. Unlike any of those more publicized sets, each of which includes a misfire or two, Bertini is consistently successful from first to last; his performance of each of these works can stand comparison with the very best available.