No pop genre has defined what a summer night can be as much as doo wop, with its countless songs about the moon and the stars and the light they cast on the possibilities of romance, and no pop genre has ever had more earthly angels residing per square foot. This four-disc, 100-song collection of doo wop vocal groups has numerous examples of both, along with seemingly a song for every girl's name ever invented.
Master Stroke’s sixth (and presumed final) volume of Queen’s Rare Cuts series focuses upon tracks from the final two LPs, 1991’s Innuendo and 1995’s Made In Heaven. Like the other titles, it presents both rarities that have been out before and brand new tracks making their silver debut. Many can be found on the prior release Secret Fantasy (Queen Digital Archives Q-007)…
Ian Bostridge brings his characterful lyricism, and singing of beautiful intelligence, to a welcome sixth volume in Graham Johnson’s comprehensive series. "The lovesick texts are somewhat overwrought and highly coloured to modern ears, but Bostridge is totally convincing, particularly in his wonderfully sensitive handling of the Op 96 collection. Johnson, that poet of the piano, underpins everything with just the right level of ardour—and he writes tremendous sleeve notes."
Recorded at the Power Station in New York in 1995, Masada, Vol. 6 Vav continues Masada's convincing union of Eastern European and Middle Eastern modalities with the freer, post-bop aspects of jazz pioneer Ornette Coleman. John Zorn's writing is particularly focused and well-informed, full of serpentine lines, mixed meters, and sudden shifts in tempo, while leaving plenty of room for collective and individual improvisation. The ensemble and the individual playing are uniformly superb throughout. Like much of Zorn's work, Vav exists in several simultaneous dimensions.