The 25th anniversary of Woodstock was such a resounding success, both commercially and critically, that it was inevitable that Woodstock 99 would appear on the 30th anniversary of the legendary free rock festival. Woodstock 99 was a different beast than any of its predecessors, however. The promoters designed it as a mercenary event, trying to earn as much money as possible in the course of three days. They picked a massive abandoned air force base in Rome, NY, and built plywood fences around the perimeters so they wouldn't have any gatecrashers. They decided to not allow any outside containers – a common and logical safeguard, but that also meant everyone had to pay for water in the middle of the summer. All this was a prelude to a weekend of mayhem that ended in riots and rape. Some may argue that the riots were a reaction to the greed of the promoters, and they have a point – but that doesn't excuse the numerous sexual assaults and rapes that occurred during the festival. Those assaults and the fires and the aggressively macho alt-metal acts became the legacy of Woodstock 99, and that's probably not what Epic had in mind when they signed a deal to release a double-disc set of highlights in October 1999.More inside
As the historic festival marks its 40-year anniversary, Rhino presents Woodstock 40, six-CD boxed set that features the most comprehensive collection ever available of artists that performed at the original festival, sequenced in chronological order of performance, featuring 38 previously unreleased recordings, including the Grateful Dead, The Who, Tim Hardin, Jefferson Airplane, Country Joe & The Fish, and others. Also box includes 80-page book with extensive liner notes, photos and the complete and accurate set lists.
This four-disc box set was released commemorating the 25th anniversary of the original Woodstock festival that took place in August 1969, and combined both of the Woodstock albums released in 1970 and 1971 with previously unreleased material. It's a well-known part of the festival's history that many of the participants played self-confessed lackluster sets. However, considering the surrounding circumstances in which this music was conceived – not enough food or water, an abundance of drugs, and thunderstorms – these artists manage to rise above it more often than not. What is most interesting about this box set are the unreleased tracks by the Band, Tim Hardin, Johnny Winter, Creedence Clearwater Revival, Jefferson Airplane, Jimi Hendrix, Janis Joplin, and Ritchie Havens. A whittled down single-disc sampler featuring many of the aforementioned unreleased tracks are also available on Woodstock Diary containing Mountain's "Southbound Train," Sly and the Family Stone's "Love City," and CS&N's "Blackbird" which aren't included on the box set.Al Campbell – AllMusic
Album Details Recorded over a period of 10 days in August 1969 & released on October 10th of the same year In The Court Of The Crimson King stands as one of the defining albums of British rock music & one of the finest debut albums of all time. Described at the time as "an uncanny masterpiece" by Pete Townshend, the album has achieved legendary status over the years. It is the only studio document of an extraordinary year in the life of King Crimson; a year that began with the group's first rehearsals on January 13th, included a residency at the Marquee Club, a concert in Hyde Park with The Rolling Stones, the recording and release of the album and ended with the dissolution of the lineup at the close of Crimson's 1st American tour in December. In the 40 years since its release In The Court of the Crimson King has never been out of print or unavailable in any of the world's main music markets & continues to enjoy consistently high sales. Now expanded with a completely new mix, previously unreleased tracks & a stunning 5.1 Surround Sound mix. Steven Wilson said of the mixing work "The intention is certainly not to try to replace or supersede the 1969 mix (which, like many classic albums, is what it is partly because of the limitations of the original recording circumstances), but to provide an alternate perspective to what must now be considered not only a rock masterpiece, but also the foundation stone of progressive rock."