One of the great cycles. Of the hundred or so available recorded cycles (out of about one hundred and fifteen or so), this rates as one of the best. In better sound than either the DG stereo cycle and the live King International cycle, Kempff's style is more poetic and less intense and fiery than others. Whatever Kempff may give away in terms of speed, power, and precision, he makes up for in other ways
Five Piano Concertos and the Piano Sonata No. 32, opus 111, recorded in stereo in 1962 and 1964, respectively, by Wilhelm Kempff [1895-1991] and the Berlin Philharmonic Orchestra under Ferdinand Leitner [1912-96]. The sonata, the composer’s last, is certainly more than a mere filler, from the opening hesitancy of the ‘Allegro con brio ed appassionato’ to the extended closing section of the second movement.
This important set contains the sixteen Beethoven sonatas that Wilhelm Kempff recorded for Grammophon in Germany between 1940 and 1943. Several are reissued here for the first time since their original release on 78rpm discs and none are currently available elsewhere. The sound is excellent for the period and all reveal the young Kempff at his best, in performances that compliment his later thoughts. The release is the companion of two previous APR releases of early Kempff Beethoven recordings the late sonatas (APR6018) and piano concertos 1, 3, 4 & 5 (APR6019), both of which received excellent reviews and were amongst APRs best sellers.
Conductor Wilhelm Furtwangler already enjoyed a worldwide legendary standing during his lifetime - he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwangler is still an icon and his work has become an integral part ofthe music scene.