Wolfgang Schmid

Billy Cobham / Wolfgang Schmid / Bill Brickford - Paradox (1996) [Repost]

Billy Cobham / Wolfgang Schmid / Bill Brickford - Paradox (1996)
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 425MB + 5% Recovery
Genre: Fusion

Drummer Billy Cobham, guitarist Bill Bickford, and bassist Wolfgang Schmid form a creative fusion trio on Paradox. The result is a powerhouse addition to Cobham's discography. The music ranges from the roiling heavy metal sludge of Bickford's "Four More Years," to the full-on funk of Schmid's "Fonkey Donkey," to Cobham's calmly lyrical "Walking in Five." Schmid is the principal writer, followed by Bickford, then Cobham. The best way to set the scene is with Paradox's version of "Quadrant 4." The original was the defining track on Cobham's 1973 debut release, Spectrum. Coming on the heels of Cobham's work with John McLaughlin's original Mahavishnu Orchestra, Spectrum is one of the essential documents of fusion's classic era.

Frontiers in Statistical Quality Control 11  eBooks & eLearning

Posted by step778 at Dec. 11, 2017
Frontiers in Statistical Quality Control 11

Sven Knoth, Wolfgang Schmid, "Frontiers in Statistical Quality Control 11"
2015 | pages: 398 | ISBN: 3319123548 | PDF | 7,9 mb
Adolph Henselt - Tanski, Schmid, Hagen, Lévesque - Piano Trio, Duo, Variations (2000, MDG "Gold" # 312 1022-2) [RE-UP]

Adolph Henselt - Piano Trio, Duo, Variations
Claudius Tanski / Benjamin Schmid / Clemens Hagen / Vincent Levesque
EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 134 MB | 5% Recovery Info
Label/Cat#: MDG "Gold, Edition IME" # 312 1022-2 | Country/Year: Germany 2000
Genre: Classical | Style: Romantic, Piano

…Tanski’s talent makes the Variations de Concert an enjoyable closer. In this, the aria “Io son ricco e tu sei bella” from Donizetti’s Elisire d’Amore is given the usual 19th century virtuoso treatment by Henselt, but Tanski never gives in to flash. He evokes a broad range of emotions, always managing to keep things from becoming kitsch. By himself, Tanski is worthy of a warm recommendation…
Adolph Henselt - Tanski, Schmid, Hagen, Lévesque - Piano Trio, Duo, Variations (2000)

Adolph Henselt - Piano Trio, Duo, Variations
Claudius Tanski / Benjamin Schmid / Clemens Hagen / Vincent Levesque
EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 134 MB | 5% Recovery Info
Label/Cat#: MDG "Gold, Edition IME" # 312 1022-2 | Country/Year: Germany 2000
Genre: Classical | Style: Romantic, Piano

…Tanski’s talent makes the Variations de Concert an enjoyable closer. In this, the aria “Io son ricco e tu sei bella” from Donizetti’s Elisire d’Amore is given the usual 19th century virtuoso treatment by Henselt, but Tanski never gives in to flash. He evokes a broad range of emotions, always managing to keep things from becoming kitsch. By himself, Tanski is worthy of a warm recommendation…

Johann Wolfgang Goethe - Wilhelm Meister. Gli anni dell’apprendistato  eBooks & eLearning

Posted by Karabas91 at Dec. 5, 2017
Johann Wolfgang Goethe - Wilhelm Meister. Gli anni dell’apprendistato

Johann Wolfgang Goethe - Wilhelm Meister. Gli anni dell’apprendistato
Italian | 2014 | 626 pages | ASIN: B00NIWNEJQ | EPUB | 0,8 MB
Wolfgang Gonnenwein, Consortium musicum, Suddeutscher Madrigalchor - Bach: Johannes-Passion (1989)

Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor - Bach: Johannes-Passion (1989)
EAC | FLAC | Image (Cue & Log) ~ 615 Mb | Total time: 64:04+65:44 | Scans included
Classical | Label: EMI | # CZS 7 62592 2 | Recorded: 1969

J.S. Bach's Johannes-Passion, or St. John Passion, BWV 245 – one of just two surviving Bach Passion works out of an original four or five – is, simply put, a headache for editors and performers wishing to recreate the authentic, stamped-and-approved original work. There is no such beast: the work was performed at least four times during Bach's lifetime, and for each new presentation he overhauled the music, adding numbers, deleting numbers, changing numbers, so that today we really have four different St. John Passions through which to pick and choose our way. Happily enough, however, Bach misses the mark in not a single one of those numbers, and the director can hardly go wrong selecting from such a wealth of fine material. The St. John Passion was first heard on April 7, 1724 (Good Friday), and then reproduced for Leipzig churchgoers in 1725, sometime in the early 1730s (perhaps 1732), and then again in 1749. Perhaps in part because of its sometimes bewildering compositional history and the fact that its texts were not really conceived as a single entity (Bach seems to have arranged the texts himself from a number of disparate sources, and sometimes his efforts – which seem to have been hasty ones – are not altogether graceful), the St. John Passion has never been a sweepingly popular work like the St. Matthew Passion, BWV 244. But it is a monumental work that must have made quite an impression indeed at its first performance, early on in Bach's tenure as Cantor of Leipzig.
Wolfgang Gonnenwein, Consortium musicum, Suddeutscher Madrigalchor - Bach: Matthaus-Passion (1989)

Wolfgang Gönnenwein, Consortium musicum, Süddeutscher Madrigalchor - Bach: Matthäus-Passion (1989)
EAC | FLAC | Image (Cue & Log) ~ 912 Mb | Total time: 74:10+73:47+48:36 | Scans included
Classical | Label: EMI | # CZS 7 62588 2 | Recorded: 1968

Among traditional modern-instrument versions of Bach’s St. Matthew Passion, Wolfgang Gönnenwein’s 1968 recording has a lot to offer. Not least is the excellent choral singing from top to bottom. The texts are always clear, and the pacing for the chorales is governed by the story’s dramatic unfolding. You can’t help but be hooked by Evangelist Theo Altmeyer’s warm tone and vivid portrayal, complemented by Franz Crass’ sonorous, touching Jesus. What a joy it is to hear Teresa Zylis-Gara, Julia Hamari, and Hermann Prey at the peak of their respective powers. Tenor Nicolai Gedda is heard to better advantage with Gönnenwein than in Otto Klemperer’s recording, where he struggled with that conductor’s craggy tempos. The orchestra plays beautifully, and the engineering does full justice to Bach’s antiphonal interplay. All the recitatives are accompanied by rather dutiful chordal backing from the organ and cello (Bach adds a “halo” of strings, of course, whenever Jesus opens his mouth). A harpsichordist with a bent for improvisation would have spruced up the texture. Lovers of great Bach singing, however, will treasure this release.
(Jed Distler)
Wolfgang Amadeus Mozart - Die Violin Konzerte (1968) [Vinyl Rip 16/44 & mp3-320]

Wolfgang Amadeus Mozart - Die Violin Konzerte
Wolfgang Schneiderhan und Berliner Philharmoniker (1968)

3 x Vinyl Rip 16/44 | Flac(Image + Cue) > 555 Mb
MP3 CBR 320Kbps > 310 Mb | Artwork(jpg) > 43 Mb
Deutsche Grammophon Gesellschaft | Classical

Wolfgang Amadeus Mozart, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical era. Born in Salzburg, he showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position…
Time Domain Methods in Electrodynamics: A Tribute to Wolfgang J. R. Hoefer (repost)

Time Domain Methods in Electrodynamics: A Tribute to Wolfgang J. R. Hoefer by Peter Russer, Uwe Siart
English | 2008-11-19 | ISBN: 3642088287 | 440 pages | PDF | 38,4 mb

Wolfgang Amadeus Mozart - Edition (10CDs) [2013]  Music

Posted by ArlegZ at Oct. 11, 2017
Wolfgang Amadeus Mozart - Edition (10CDs) [2013]

Wolfgang Amadeus Mozart - Edition (10CDs) [2013]
EAC | FLAC | Image (Cue & Log) ~ 2.87 Gb | Total time: 10:27:08 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 8876544341 | Recorded: 1972, 74, 75, 82, 86

This Collection of Mozart fetaures some of the leading period-instrument ensembles and spans the oeuvre of Mozart's works. Included excellent readings of the 'Prague' Symphony and the Requiem.