Wolfgang Schmid

Billy Cobham / Wolfgang Schmid / Bill Brickford - Paradox (1996) [Repost]

Billy Cobham / Wolfgang Schmid / Bill Brickford - Paradox (1996)
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 425MB + 5% Recovery
Genre: Fusion

Drummer Billy Cobham, guitarist Bill Bickford, and bassist Wolfgang Schmid form a creative fusion trio on Paradox. The result is a powerhouse addition to Cobham's discography. The music ranges from the roiling heavy metal sludge of Bickford's "Four More Years," to the full-on funk of Schmid's "Fonkey Donkey," to Cobham's calmly lyrical "Walking in Five." Schmid is the principal writer, followed by Bickford, then Cobham. The best way to set the scene is with Paradox's version of "Quadrant 4." The original was the defining track on Cobham's 1973 debut release, Spectrum. Coming on the heels of Cobham's work with John McLaughlin's original Mahavishnu Orchestra, Spectrum is one of the essential documents of fusion's classic era.

Hot'N'Nasty - Dirt (2018)  Music

Posted by Domestos at Feb. 4, 2018
Hot'N'Nasty - Dirt (2018)

Hot'N'Nasty - Dirt (2018)
WEB FLAC (tracks) ~ 411.17 Mb | MP3 CBR 320kbps ~ 134.57 | 58:12 | Cover
Blues-Rock / Hard Rock | Country: Germany (Ruhrgebiet) | Label: Fastball-Music

Hot`n´Nasty existiert bereits seit Beginn der 90er Jahre und gehört zur ersten Liga der deutschen Blues- und Rockszene. Die Band wurde Ende 2009 mit dem deutschen Rock- und Pop-Preis in den Kategorien „Bestes Rhythm & Blues Album" (1.Platz) und „Beste Rhythm & Blues Band" (2.Platz) ausgezeichnet.
The Question of Psychological Types: The Correspondence of C. G. Jung and Hans Schmid-Guisan, 1915-1916 (Repost)

The Question of Psychological Types: The Correspondence of C. G. Jung and Hans Schmid-Guisan, 1915-1916 By C. G. Jung, Hans Schmid-Guisan
2012 | 200 Pages | ISBN: 0691169721 , 0691155615 | EPUB + PDF | 6 MB + 1 MB

Frontiers in Statistical Quality Control 11  eBooks & eLearning

Posted by step778 at Dec. 11, 2017
Frontiers in Statistical Quality Control 11

Sven Knoth, Wolfgang Schmid, "Frontiers in Statistical Quality Control 11"
2015 | pages: 398 | ISBN: 3319123548 | PDF | 7,9 mb
Adolph Henselt - Tanski, Schmid, Hagen, Lévesque - Piano Trio, Duo, Variations (2000, MDG "Gold" # 312 1022-2) [RE-UP]

Adolph Henselt - Piano Trio, Duo, Variations
Claudius Tanski / Benjamin Schmid / Clemens Hagen / Vincent Levesque
EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 134 MB | 5% Recovery Info
Label/Cat#: MDG "Gold, Edition IME" # 312 1022-2 | Country/Year: Germany 2000
Genre: Classical | Style: Romantic, Piano

…Tanski’s talent makes the Variations de Concert an enjoyable closer. In this, the aria “Io son ricco e tu sei bella” from Donizetti’s Elisire d’Amore is given the usual 19th century virtuoso treatment by Henselt, but Tanski never gives in to flash. He evokes a broad range of emotions, always managing to keep things from becoming kitsch. By himself, Tanski is worthy of a warm recommendation…
Adolph Henselt - Tanski, Schmid, Hagen, Lévesque - Piano Trio, Duo, Variations (2000)

Adolph Henselt - Piano Trio, Duo, Variations
Claudius Tanski / Benjamin Schmid / Clemens Hagen / Vincent Levesque
EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 134 MB | 5% Recovery Info
Label/Cat#: MDG "Gold, Edition IME" # 312 1022-2 | Country/Year: Germany 2000
Genre: Classical | Style: Romantic, Piano

…Tanski’s talent makes the Variations de Concert an enjoyable closer. In this, the aria “Io son ricco e tu sei bella” from Donizetti’s Elisire d’Amore is given the usual 19th century virtuoso treatment by Henselt, but Tanski never gives in to flash. He evokes a broad range of emotions, always managing to keep things from becoming kitsch. By himself, Tanski is worthy of a warm recommendation…
Dame Margaret Price, Brigitte Fassbaender, Wolfgang Brendel - Mozart: Così fan tutte, K. 588 (Live) (2018)

Dame Margaret Price, Brigitte Fassbaender, Wolfgang Brendel - Mozart: Così fan tutte, K. 588 (Live) (2018)
Classical, Opera | WEB FLAC (tracks) & d. booklet | 791 MB
Label: Orfeo | Tracks: 60 | Time: 148:39 min

Even in its opera-buffa manifestation, the utterly disastrous wife-swapping experiment in Così fan tutte so scandalized the entire 19th century, from Beethoven to Wagner, that desperate attempts were constantly made to conceal the work’s frivolity under any number of respectable rewrites.
Wolfgang Amadeus Mozart - The Greatest Operas (2007) (14 CD Box Set)

Wolfgang Amadeus Mozart - The Greatest Operas (2007) (14 CD Box Set)
MP3 320 kbps | 14 CDs, 13:52:21 min | 1,86 Gb | Scans -> 17,6 mb
Genre: Classical, Opera / Label: Bravissimo

Five complete operas by Wolfgang Amadeus Mozart at budget price in one space-saving set, featuring a twenty-four-page booklet with biographies, detailed listings, and historic photos! Exciting live recordings taped 1949–1974. A stunning array of great artists in Mozart’s most beloved operatic works!

Demokratie, Diktatur, Gerechtigkeit: Festschrift für Wolfgang Merkel  eBooks & eLearning

Posted by Jeembo at Feb. 14, 2018
Demokratie, Diktatur, Gerechtigkeit: Festschrift für Wolfgang Merkel

Demokratie, Diktatur, Gerechtigkeit: Festschrift für Wolfgang Merkel by Aurel Croissant, Sascha Kneip, Alexander Petring
German | 2017 | ISBN: 3658160896 | 789 Pages | PDF | 19.7 MB

Der begriffliche Dreiklang Demokratie, Diktatur und Gerechtigkeit benennt zentrale, miteinander verknüpfte politikwissenschaftliche und gesellschaftspolitische Themen des 20. und 21. Jahrhunderts.
Wolfgang Schneiderhan, Wilhelm Kempff - Beethoven: The Sonatas for Piano and Violin (2000)

Wolfgang Schneiderhan, Wilhelm Kempff - Beethoven: The Sonatas for Piano and Violin (2000)
EAC | APE (image+.cue, log) | Covers Included | 03:56:30 | 682 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 463 605-2

In the 1950s these recordings would have given a very up-to-date impression, I imagine; the playing is extremely clean there's never a hint of sentimental violin slides or over-use of the sustaining pedal. But nearly half a century later, perhaps we're more conscious of the old-world virtues Schneiderhan's beautiful legato bowing and gentle vibrato, Kempff's full, unforced tone, and a flexible approach from both artists, with finely graded ritardandos and subtle variations of tempo.