Refuges: A Charisma Records Anthology tells the audio story of one of the most innovative labels of the '60s and '70s. Though this collection only spans a mere decade in the history of Rock (1969-78), it is a decade filled with musical innovation and excitement. Though most of their releases may have hovered outside the Top 40 in the U.S., the label's roster consisted of artists that are just as influential today as at any other time in the last 30-40 years. Features 44 tracks including cuts from Peter Gabriel, Van Der Graaf Generator, Genesis, Monty Pythons, Hawkwind, Bo Hansson, Rare Bird, The Alan Parson Project, Lindisfarne, Peter Hammill, Keith Emerson, String Driven Thing and many others.
A Night on the Town is Rod Stewart's seventh album, released in 1976. On 30 June 2009, Rhino reissued the album as a two-disc CD with bonus tracks. Stewart performed "Big Bayou" regularly with The Faces during their final US tour the previous year, although that version was based on the one Ronnie Wood released on his solo album, Now Look. A Night on the Town was Stewart's last UK number-one album until Time in 2013.
Ray Charles's time on ABC Records was about more than adding strings, choirs, and country tunes to his approach. By 1972's A MESSAGE FROM THE PEOPLE, he was turning out tracks full of funky soul, largely devoid of the overproduction plaguing much of his ABC discography. As was so often the case with Ray, a gospel feel mixed with R&B locomotion is the engine that drives things here, but he also uses it to transform Melanie's "What Have They Done to My Song, Ma" into a syncopated strut, and bring a Sunday Baptist church feel to the Dion hit "Abraham, Martin and John."
Jazz trumpeter Donald Byrd’s critically acclaimed career and life have assured the Detroit native his rightful place as one of the most respected musicians of the 20th century. Having successfully transitioned to Jazz Fusion in the 1970s under the guidance of the Mizell brothers, creating four albums on Blue Note records including the highly influential Places and Spaces, Byrd continued to explore the fertile possibilities of Fusion with four more albums recorded for Elektra Records between 1978 and 1982.
Blondes Have More Fun is Rod Stewart's ninth album, released in November 1978. As was the popular musical trend at the time, it is Stewart's foray into disco music, which although commercially successful, was critically panned. The lead single "Da Ya Think I'm Sexy" became one of Stewart's biggest hits, peaking at No.1 in both the UK and US. The album has sold more than 14 million copies worldwide. The album itself peaked at No.3 in the UK, being certified platinum by Christmas and was a No.1 hit in the US, where it went double platinum. It also charted within the top ten in a host of other countries.
Jeff Wayne's Musical Version of The War of the Worlds is the debut studio album by Jeff Wayne, retelling the story of The War of the Worlds by H. G. Wells, released September 6, 1978. A concept album, its main format is progressive rock and string orchestra, using narration and leitmotifs to carry the story via rhyming melodic lyrics that express the feelings of the various characters. The two-disc album remains a bestseller, having sold millions of records around the world, and by 2009 it was the 40th best selling album of all time in the UK with sales of 2,561,286. It has since spawned multiple versions of the album, video games, DVDs, and live tours.
Pete Carr put together the group with Lenny LeBlanc, LeBlanc & Carr, and created the album "Midnight Light" as both artist and producer. The song "Falling" became a big hit for LeBlanc & Carr. "Falling" was mixed at FAME Studios which is where Carr did most of the mixing for his production projects. The group's first tour was with Lynyrd Skynyrd on the "Street Survivors Tour" and ended tragically with an airplane crash in Mississippi, October 20, 1977. After this tragedy, and other band problems, Carr decided to return to the studio.