Refuges: A Charisma Records Anthology tells the audio story of one of the most innovative labels of the '60s and '70s. Though this collection only spans a mere decade in the history of Rock (1969-78), it is a decade filled with musical innovation and excitement. Though most of their releases may have hovered outside the Top 40 in the U.S., the label's roster consisted of artists that are just as influential today as at any other time in the last 30-40 years. Features 44 tracks including cuts from Peter Gabriel, Van Der Graaf Generator, Genesis, Monty Pythons, Hawkwind, Bo Hansson, Rare Bird, The Alan Parson Project, Lindisfarne, Peter Hammill, Keith Emerson, String Driven Thing and many others.
Boz's 1997 two disc retrospective on Columbia with 'Fly LikeA Bird' added as a bonus track. Spanning the years 1969-1997, it features 33 tracks in all, also including the hits 'What Can I Say', 'Lido Shuffle', 'Jojo', 'Breakdown Dead Ahead', 'Look What You've Done To Me' and 'We're All Alone'. Double slimline jewelcase.
Ray Charles's time on ABC Records was about more than adding strings, choirs, and country tunes to his approach. By 1972's A MESSAGE FROM THE PEOPLE, he was turning out tracks full of funky soul, largely devoid of the overproduction plaguing much of his ABC discography. As was so often the case with Ray, a gospel feel mixed with R&B locomotion is the engine that drives things here, but he also uses it to transform Melanie's "What Have They Done to My Song, Ma" into a syncopated strut, and bring a Sunday Baptist church feel to the Dion hit "Abraham, Martin and John."
A Night on the Town is Rod Stewart's seventh album, released in 1976. On 30 June 2009, Rhino reissued the album as a two-disc CD with bonus tracks. Stewart performed "Big Bayou" regularly with The Faces during their final US tour the previous year, although that version was based on the one Ronnie Wood released on his solo album, Now Look. A Night on the Town was Stewart's last UK number-one album until Time in 2013.
A TASTE OF HONEY was the debut album from the Disco-Funk group on Capitol Records in 1978 The album features the international Disco smash hit BOOGIE OOGIE OOGIE which is featured here in three different mixes. Produced by Capitol Records’ Funk, Soul and Jazz legends Fonce Mizell & Larry Mizell, the album made #2 on the R&B album chart and #6 on the US Pop album chart, achieving Platinum status in the process. The rare 12″ remixes of the hits Boogie Oogie Oogie and follow-up Disco Dancin’ are included as bonus cuts other single versions. BBR introduce the first ever expanded re-master of this album on CD.
Hollies Sing Hollies was the group's somewhat self-conscious follow-up to Hollies Sing Dylan – in the U.S., it formed the bulk of the He Ain't Heavy He's My Brother LP, with that smash single (totally unlike anything else on the album) overshadowing the rest of the record. If the Hollies began to lose credibility as a frontline rock group, the blame must rest with this album. The songwriting is generally melodic and very pleasant, but little of it is particularly memorable, and the arrangements mostly have a light rock/pop feel to them, closer to Gary Puckett & the Union Gap than to the Beatles. There are one or two very good songs, including "Please Let Me Please," with crisp rhythm guitars…
GQ originally formed in 1968 as Sabu & The Survivors. They released three albums on Arista Records between 1979 and 1981. DISCO NIGHTS was their debut album and also their most successful spending five weeks at the #2 position in the R&B charts and reaching #13 in the Pop chart. DISCO NIGHTS (ROCK FREAK) was the first single from the album and gained them the #1 spot in the R&B charts as well as #3 in the Disco chart and #12 in the Pop chart. It sold over one million copies in the US alone and has become an ultimate Dance classic.