The unprecedented expansion of music in the age of enlightenment
The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down.
2000 2-CD set featuring 39 classic timeless hits from the millennium including Queen, The Rolling Stones, Peter Gabriel, John Lennon, Paul McCartney & Wings, David Bowie, The Who, Elton John, The Beach Boys, Simon And Garfunkel, Derek & The Dominoes, Prince, U2, Bon Jovi, Blondie, Oasis, Lenny Kravitz, Simple Minds, Supertramp, Dire Straits, Tina Turner, Bob Marley, UB40, Kate Bush, Phil Collins, Roxy Music, Rod Stewart, Bee Gees, Michael Jackson, Abba, Janet Jackson, Diana Ross, Marvin Gaye, Barry White, Pet Shop Boys, George Michael, Massive Attack, Texas.
Nothing like some Scooby-Doo to keep you in the festive mood.Scooby and the gang have their first musical mystery in “Scooby Doo: Song of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.
In 1991 Bobby Previte was given a most unusual assignment: to create a new score of music for the Moscow Circus. Previte, an innovative composer who learned from Gil Evans the joy of combining together acoustic and electronic instruments, was up to the challenging task. The result is a generally fascinating soundtrack, music that stands up by itself but makes one very curious to see how it fits into the circus routines.