A middle-aged Bulgarian is watching the change of the guard in front of the Buckingham Palace. For no apparent reason, while looking, in his mind he gets back to his childhood in the little Bulgarian village, he grew up in. Different rites, different traditions and still he finds something in common. He recalls the people he knew, he feared or admired. He ponders over that life of no brilliance, where people plough, harvest, marry and die, celebrate or grieve. Miracle are also worked, conceived in a unlimited child's imagination. It is the child's perception of the world that helps us to give a meaning to the major questions of human existence.
It is the summer of 1941. An eastern-Finnish machine gun company receives an order to turn in their surplus equipment. The company is transferred to the front lines. The next morning the soldiers wake to the sound of guns - the war has begun. The Finnish troops attack and quickly move across the border. The young, nervous rookies of the company get their baptism of fire, and the men become familiar with death and the hardships of war. Under strength and badly equipped they fight a superior enemy. The lists of heroes and of the dead seem endless. Edvin Laine's epic interpretation of Väinö Linna's war novel "Tuntematon Sotilas" is an entire chapter in the book of Finnish movie history.
If the sins of father are transferable to future generations, then Germany has a serious familial problem. That’s the driving tenet of The Unknown Soldier, Michael Verhoeven’s provocative documentary centered on the ethical, social and psychological wrangles forced out of the country’s subconscious between 1999 and 2004, when the controversial tour of the Wehrmach Exhibition confronted citizens with evidence that genocidal behavior during the Holocaust spread throughout the German army, rather than being restricted to the universally denounced inner realm of the SS.