A dacha is a summer home for Russians, away from the hurly-burly of the city, and can be as primitive as a cabin or as elaborate as a palace. A much-favored place for gatherings of intellectuals, dachas are a favored literary setting. In this film, adapted by Nikita Mikhailkov from Anton Chekhov's first play and some of his other works, the schoolteacher Platonov (Alexander Kalyagin) has come with his wife to spend a summer weekend at a friend's dacha. Among the other guests there, he meets his former lady-love Sophia (Elena Solovei), who is now married to another. Even though he thought he had recovered from his disappointed affection for her, he finds that this is not so for at least two reasons. First, she only recently got married; secondly, she is married to an idiot. Nostalgia spurs them to investigate their affection for one another, but eventually, as they remember their stations in life, their old love does not seem so important.
Great late 70s work from Jimmy Smith – two albums back to back on a single CD! One of our favorite later albums from organist Jimmy Smith – and a set that cooks heavily in a wicked blend of jazz, funk, and soul! The style's a bit like the groove that Johnny Hammond hit during his Gears period – arranged by Eugene McDaniels and Alan Silvestri, with an approach that's somewhere between Larry Mizell and Skip Scarborough – tight grooves, bits of vocals, yet plenty of room for Smith's keyboard solos to take off over the top! Players include Herbie Hancock on piano, Alan Silvestri on guitar, and Lenny White on drums – but the main star is Jimmy – who's grooving massively over the top of the album, with soaring solos that are some of his best work from the late 70s.