Euripides wrote The Trojan Women in 415 B.C., but his tragic play about the aftermath of the fall of Troy continues to resonate many centuries after it was first performed. Eleni Karaindrou, best know for her film scores for Ulysses' Gaze and Eternity and a Day, composed this score for a 2001 production of The Trojan Women after being struck by the parallels between the ancient Greek story and the recent situation in the Balkans. Although she chose to use various folk instruments from around the Mediterranean, such as the lyre, an ancestor of the modern violin; the lauto, a Greek form of the lute; and the ney, an end-blown flute, her stark compositions are not folkloric recreations. Instead, she blends the ancient timbres of the instruments with a vocal chorus to create a sound that is not quite modern but not archaic either. Perhaps the best word to use in describing Karaindrou's austere, beautiful music is timeless.
In 1972, one of Jamaica's most popular and successful singers, John Holt, teamed up with British-born record producer, Tony Ashfield to create a style of reggae aimed at appealing to music listeners of all ages and colours throughout the world. By combining Jamaican rhythms with sophisticated western arrangements, the pair succeeded in their aim, producing an album that exceeded all expectations. ‘The Further You Look’ set the standard for what later became widely known as ‘pop reggae’ and quickly became a must-have album for a broad spectrum of record buyers, selling in vast numbers amongst both black and white communities.
This whopping 30-CD box set gathers together the best of Trojan's three-disc box set series. Included are the Ska, DJ, Dub, Instrumentals, Jamaican Superstars, Lovers, Producer Series, Rocksteady, Roots, and Tribute to Bob Marley volumes, each of which can be found under Trojan Box Set for their individual reviews. What's lacking here is a booklet with additional notes and information; the bulk seems to demand some extra coverage and care, yet all that's here are the original notes of each volume – only as much text as can fit on the back of the CD sleeves.