Schole Records’ fourth release is the first yet awaited album of Haruka Nakamura, who has beengetting quite attention at his works in albums such as "Schole compilation vol.1," or "Afterglow" with Akira Kosemura from schole. This album is mainly created with acoustic guitar and pianica. Also, a vocalist, a classic guitarist, a pianist, and an upright bassist has come together for supporting Haruka to create afinest musical collection so far. The album is organized carefully in three parts of daily cycle, which mostly with many kinds ofwavering yet ever-changing moments. This acoustic album is truly worth calling a musical gem.
In There Is No Love, Davies, Sylvian and Wastell offer a sparse and brooding setting of Bernard Marie Koltès’ text – part of a longer play from 1985 - in which its two characters, named only the Dealer and Buyer, are barely more than ciphers, their ghostly figures enacting a mysterious negotiation in a crepuscular world where emotional engagement has departed in place of commodified exchange (“There is no love”.) What, exactly, is being bought and sold is never revealed, yet Sylvian’s careful enunciation bristles with implicit violence and desire.
KITCHEN. LABEL presents haruka nakamura PIANO ENSEMBLE’s new album entitled “Hikari” in a special 2CD box set edition to be released on 8th August 2017. “Hikari” is the final set of the trilogy of albums (Ongaku No Aru Fuukei and CURTAIN CALL) to feature the current PIANO ENSEMBLE lineup before they go on a indefinite hiatus after their last show at the grand St Mary’s Cathedral in Tokyo on 21st July 2017.
With Sun/Moon, Somei Satoh speaks with the ancient, distinct voice of Buddha, with enough melodramatic romanticism to stir the emotions of even the most Western ears. Perhaps less cinematic than his previous album, Toward the Night, but no less passionate in tone, with gorgeous, rich dialogue between shakuhachi and koto that circulates between whispers, cries, gasps, and deep contemplation. The opening piece, "Kougetsu," is the sound of a rock garden minding its own business, a dragonfly dreaming restlessly amongst the bamboo. "Sanyou" follows in much the same way, in an expression of (as the composer puts it) "the purity of the early morning air." Shin Miyashita plucks his 17-string koto with patience, reverence, and in perfect symbiosis with Akikazu Nakamura, a stoic virtuoso on the shakuhachi.
Died in the Wool — variations on David Sylvian's 2009 release Manafon with the addition of 6 new pieces, including collaborations with acclaimed composer Dai Fujikura, producers Jan Bang and Erik Honoré and a stellar roster of contemporary musicians and improvisers. Released as a Double CD digipak in a hardboard slipcase. Disc Two featuring audio from the installation When We Return You Won't Recognise Us.
If the Swedish group name Skuggorna Och Ljuset does not ring any bells, then the names of some of its members may help jog the memory—Magnus Granberg on clarinet, Anna Lindal on violin, Leo Svensson Sander on cello, Erik Carlsson on percussion. Yes? Well, all four of them have previously figured on Another Timbre releases as members of the larger ensemble Skogen, in particular playing the Granberg compositions "Ist gefallen in den Schnee" and "Despairs Had Governed Me Too Long".