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Having made a gradual switch during the 15 years since his first album was published from electronica to instrumental variations on ambient and minimalism, Max Richter is among the most commercially successful composers of our time. This album of his solo piano music belongs in the genre explored so thoroughly for Brilliant Classics by Jeroen van Veen, whose prolific recording history includes hugely popular albums of Philip Glass (BC9419) and Michael Nyman (BC95112), Ludovico Einaudi (BC94910) and Yann Tiersen (BC95129) and his fellow Dutch musician Jakob ter Veldhuis (BC94873) and himself (BC9454). The appetite for slowly moving, unchallenging, post-Minimalist music is apparently infinite, and so this new album is sure to be a success.
To classify this Mozart release by Dutch pianist Daria van den Bercken might mean putting it under the heading of modern-piano interpretations influenced by the historical-performance movement. Van den Bercken herself says in her notes that although she comes "up against a wall" when she plays Mozart on a fortepiano, she admires and has been inspired by the work of fortepianist Malcolm Bilson and conductor Nikolaus Harnoncourt. Her Mozart is sharply articulated and only lightly pedaled. On another level, though, her readings owe little to historically oriented performances. The "keys to Mozart" in the album title are pretty general (look to opera to understand Mozart's melodies), but van den Bercken's readings are individual and very finely wrought.