Toccata And Fugue in D Minor, Bwv 565

J.S. Bach Concerto for Violin and Oboe in C minor BWV 1060 (Kremer, Holliger) (2008)

J.S. Bach Concerto for Violin and Oboe in C minor BWV 1060 (Kremer, Holliger) (2008)
EAC Rip | FLAC, IMG+CUE, LOG | HQ Full Scan | 42:57 | 228 MB
Genre: Classical | Label: Philips
J.S.Bach - English Suite No.3, Fugue in A minor BWV 944; Handel - Suite No.7 - A.Bachciev, piano

J.S.Bach - English Suite No.3, Fugue in A minor BWV 944; Handel - Suite No.7 - A.Bachciev, piano
MONO LP Conversion | APE/MP3-320kbps + cue + cover | no log | 122.9/87.6Mb | 43:52 | Melodija 1980

Ferruccio Busoni - Concerto for piano and strings in d minor - full score  eBooks & eLearning

Posted by Not-Matt at May 22, 2009
Ferruccio Busoni - Concerto for piano and strings in d minor - full score

Ferruccio Busoni (1866 - 1924) - Concerto for Piano and Strings in d minor - full orchestral score
Breitkopf & Hartel | ISBN: N.A. | 1986 | PDF | 49 pages | 5.5 Mb

Ferruccio Dante Michelangiolo Benvenuto Busoni (April 1, 1866 – July 27, 1924) was an Italian composer, pianist, editor, writer, piano and composition teacher, and conductor.

Masaaki Suzuki - Johann Sebastian Bach: Organ Works (2015)  Music

Posted by Designol at Dec. 10, 2015
Masaaki Suzuki - Johann Sebastian Bach: Organ Works (2015)

Masaaki Suzuki - Johann Sebastian Bach: Organ Works (2015)
EAC | FLAC | Image (Cue&Log) ~ 388 Mb (incl 5%) | Mp3 (CBR320) ~ 194 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-2111 | Time: 01:19:26

For this hybrid SACD of famous organ works by J.S. Bach, Masaaki Suzuki plays the restored Schnitger-Hinz organ in the Martinikerk (Martin's Church), in Groningen, one of the most celebrated instruments in the Netherlands and one which dates back to Bach's time. Its bright, Baroque sonorities and Suzuki's historically informed interpretations give these performances a compelling sense of authenticity and period style. The pieces are among Bach's greatest hits, particularly the Toccata and Fugue in D minor, which gives the program a decisive opening. Following that flashy demonstration, Suzuki is relaxed and almost contemplative in the Pastorale in F major, and continues his thoughtful readings in the Partita on "O Gott, du frommer Gott," the Prelude and Fugue in G minor, and the Canonic Variations on "Vom Himmel hoch da komm' ich her." Yet he includes two sparkling virtuoso performances in the Fantasia in G major and the Prelude and Fugue in E minor, which keep the album from being too soft and subdued. BIS' super audio sound is crisp and detailed, which is no mean feat in a church recording.

Bach - Mass in B minor, BWV 232 (John Nelson) (2007)  

Posted by Vilboa at Oct. 24, 2015
Bach - Mass in B minor, BWV 232 (John Nelson) (2007)

Bach - Mass in B minor, BWV 232 (John Nelson) (2007)
NTSC 16:9 (720x480) VBR | Latin (LinearPCM, 2 ch) | (Dolby AC3, 5 ch) | 7.37 Gb (DVD9) | 153 min
Classical | Virgin Classics | Sub: Francais, English, Espanol, Deutsch

Like music lovers the world over, John Nelson believes Johann Sebastian Bach’s Mass in B Minor is a pinnacle of Western music. For years, he has cherished the dream of performing this masterwork in the Cathedral of Notre-Dame in Paris with the Ensemble Orchestral de Paris whose renown has grown constantly since he began conducting with them eight years ago. In addition to John Nelson and his Ensemble Orchestral de Paris, the Mass in B minor brings together the Maîtrise de Notre-Dame choir conducted by Nicole Corti as well as internationally recognized soloists Ruth Ziesak (soprano), Joyce DiDonato (mezzo), Daniel Taylor (alto), Paul Agnew (tenor) and Dietrich Henschel (baritone).
JS Bach - Mass In B minor, BWV 232 & Mass In F, BWV 233 (1993) 2CD [Eugen Jochum, Kurt Redel]

Johann Sebastian Bach - Mass In B minor, BWV 232 & Mass In F, BWV 233 (1993) 2CD
Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, conducted by Eugen Jochum
Munich Pro Arte Orchestra, Lausanne Pro Arte Chorus, conducted by Kurt Redel

EAC | FLAC | Image (Cue&Log) ~ 789 Mb (incl 5%) | Scans included | Time: 02:33:06
Genre: Classical, Choral, Sacred | Label: Philips | # 438 739-2

There are three Eugene Jochum recordings of the Mass in B minor floating around out there: this is the first and oldest. Jochum's reading is generally even-paced and flows easily. He avoids the stateliness of Klemperer's reading (a Deutsche Grammophon reissue) but does not fly by the listener in a mad rush as do Pearlman and Gardiner–overall, this is, in a word, a very solid and respectable performance. Jochum's choral forces are large (HUGE if you're used to the "one voice per part" approach) and at their fullest (such as the opening "Kyrie") the choirs and orchestra combined can generate a respectably powerful sound, despite the age of the recording. The soloists are all uniformly good, if not the most outstanding singers in the world. There are slight balance issues in spots, notably the "Domine Deus" duet between soprano and tenor soloists: the soprano overpowers the tenor almost entirely throughout the movement.
Johann Sebastian Bach - Harnoncourt - Messe in H-moll / Mass in B-minor BWV 232 (1986)

Johann Sebastian Bach - Messe in H-moll / Mass in B-minor BWV 232
Concentus Musicus Wien / Arnold-Schönberg-Chor / Nikolaus Harnoncourt
EAC+LOG+CUE | 2x FLAC Image: 450 MB | Artwork (no Booklet) | 5% Recovery Info
Label/Cat#: Teldec "Das Alte Werk" # 8.35716 ZA | Country/Year: Germany 1986
Genre: Classical | Style: Sacred, Baroque, Mass

…It was unusual for composers working in the Lutheran tradition to compose a Missa tota and Bach's motivations remain a matter of scholarly debate. The Mass was never performed in totality during Bach's lifetime; the first documented complete performance took place in 1859. Since the nineteenth century it has been widely hailed as one of the greatest compositions in history, and today it is frequently performed and recorded…
Johann Sebastian Bach - Angela Hewitt - Fantasia & Fugue In A Minor, Aria Variata etc. (2004) {Hybrid-SACD // ISO & FLAC}

Angela Hewitt - Bach: Fantasia & Fugue In A Minor, Aria Variata etc.
SACD ISO: 2,86 GB (Stereo + MCH DSD) | FLAC @ 24bit/88.2kHz: 1077 MB | Full Artwork | 5% Rec. Info
Label/Cat#: Hyperion Records # SACDA67499 | Country/Year: UK 2004
Genre: Classical | Style: Baroque

…And Hyperion's sound captures Hewitt's performances in sound as clear and warm as the rest of their wonderful recordings. A magnificent conclusion to a monumental cycle, Hewitt's final Bach disc will appeal to anyone who loves life and Bach.
Bach-Bussoni: Toccata, Adagio and Fugue in C ;Glinka: The Lark; Mussorgsky: Pictures at an Exhibition; -  Evgeny Kissin

Bach (arr. Busoni) Toccata, Adagio and Fugue in C, BWV 564; Glinka (arr. Balakirev): The Lark; Mussorgsky: Pictures at an Exhibition –
Evgeny Kissin, piano

Classical | 1 CD | EAC Rip | 183 MB | FLAC+LOG+Cue | Full scans | RS links
Publisher: BMG/RCA Red Seal

Editorial Reviews- Amazon.com
Kissin gives us Horowitz's brilliance, without the nervous affectations and missed notes, and Rubinstein's healthy athleticism and grandeur, without the occasional inattention to detail. In a performance such as this, Kissin convinces us that he is at once the Horowitz and the Rubinstein of our era–and perhaps superior to either. In Mussorgsky's Pictures at an Exhibition, Kissin almost never falters in evoking the inherently Russian quality of the tableaux –Stephen Wigler
Customer Reviews:
Genius!! • Excellent Pictures • Great "Pictures" • Horowitz surpassed • Great recording • Brilliant, but idiosyncractic • Transcendant pianism of the highest order
Nikolaus Harnoncourt, Concientus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem in D minor, K.626 (2004) (Repost)

Nikolaus Harnoncourt, Concientus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem in D minor, K.626 (2004)
EAC | FLAC (image+.cue, log) | Covers Included | 50:21 | 228 MB
Genre: Classical, Sacred, Choral | Label: Deutsche Harmonia Mundi | Catalog: B00022UO9I

Beethoven called Mozart's Requiem "wild and terrible", and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time.