High Quality Non-Compressed Japanese Import SACD! Superior Sound!
Organist Ales Barta performs compositional works by J.S. Bach, Brahms, Liszt, Franck, Boellmann, and Messiaen.
This Exton Laboratory Gold Line Hybrid Stereo disc is a high quality non-compressed Japanese Import SACD. Recorded on a custom Sony DSD recorder, this audiophile SACD is packaged in an XRCD-like luxury digipak. This disc includes a booklet with detailed microphone and equipment diagram and placement used for each individual recording! Superior quality Japanese Import SACD, manufactured in Yokohama, Japan. Only the best recordings - technically and artistically!
Being that J.S. Bach is arguably the most influential classical composer in history, it's fair to say that his most crucial works ought to form the foundation of every classical-music collection. This 5-CD set (especially at that price) is the place to start, as it brings together Bach's Brandenburg Concertos Nos. 1-6; Violin Concerto No. 1 in A Minor; Violin Concerto No. 2 in E; Concerto for 2 Violins, Strings and Continuo in D Minor; Goldberg Variations (Andras Schiff); Tocatta and Fuge in D Minor; Suite No. 3 in D: Air on the G String/Fugue in G Minor "The Little"; Toccata, Adagio and Fugue in C; Concerto for Violin, Oboe and Strings in D Minor , and more!
This 6CD set contains 100 tracks of popular organ music from the catalogues of EMI Classics and Virgin Classics performed by some of the world’s finest organists on a wide variety of instruments from all over the UK and Continental Europe.
Box set containing a compilation of works by various composers in celebration of the 200th anniversary of Liszt. As well as the tracks listed it also includes 'Piano Sonata No. 8 in C minor, Op. 13, 'Pathétique'', 'Piano Sonata No. 14 in C Sharp minor, Op. 27, No. 2, 'Moonlight'' and 'Piano Sonata No. 23 in F minor, Op. 57, 'Appassionata'' by Ludwig van Beethoven, 'Preludios, Op. 80' by Joaquin Turina, etc…
This 55-CD set chronicles the remarkable Archiv label, begun in 1947. Devoted mainly to early and Baroque music, the recordings presented here, in facsimiles of their original sleeves (a nice touch), cover the period from Gregorian chant to Beethoven’s Fifth and Sixth symphonies, played on period instruments. There are stops in between for a great deal of Bach, music of the Gothic era, the French Baroque (Mouret, Delalande, Rameau, etc), Gibbons, Handel (Alcina, La Resurrezione, Messiah, Italian cantatas), Telemann, Zelenka, Gabrieli, Desprez, Haydn, LeJeune, and plenty of the usual, as well as unusual, suspects. There’s also a final CD with selections of new releases (more Handel, Cavalli, Gesualdo, Vivaldi).
Much of Bach’s organ music was written during the earlier part of his career, culminating in the period he spent as court organist at Weimar. Among many well-known compositions we may single out the Dorian Toccata and Fugue in D minor, BWV 538, the Toccata, Adagio and Fugue, BWV 564, Fantasia and Fugue in G minor, BWV 542, Passacaglia and Fugue in C minor, BWV 582, Prelude and Fugue “St Anne”, BWV 552 (in which the fugue theme resembles the well-known English hymn of that name), Toccata and Fugue in D minor, BWV 565, and the Toccata and Fugue in F, BWV 540. Chorale preludes are compositions for organ that consist of short variations on simple hymn tunes for all seasons of the church year. Better-known melodies used include the Christmas In dulci jubilo, BWV 608, Puer natus in Bethlehem, BWV 603, the Holy Week Christ lag in Todesbanden, BWV 625, and the Easter Christ ist erstanden, BWV 627, as well as the moving Durch Adam’s Fall ist ganz verderbt, BWV 637, and the familiar Wachet auf, ruft uns die Stimme, BWV 645, and Nun danket alle Gott, BWV 657.