The 1960s was a time of Top-40 radio, featuring a wide variety of styles, especially in the pop and easy listening genres. 'Pop Memories of the '60s' is the biggest and best collection of these hits ever offered in one box set. With well-known vocalists, folk artists, instrumentalists and more, it's one great musical memory after another!
Down in New Orleans is a gospel album by The Blind Boys of Alabama, released in 2008. It won Best Traditional Gospel Album at the 51st Grammy Awards. At the Dove Awards of 2009, the album won Traditional Gospel Album of the Year, and the track Free at Last won Traditional Gospel Recorded Song of the Year. The Blind Boys of Alabama recorded in New Orleans for the first time in their almost 75 year history. Amongst the musicians supporting include legendary pianist/producer and Rock & Roll Hall of Famer Allen Toussaint and The Preservation Hall Jazz Band. After performing together for over six decades, The Blind Boys of Alabama have enjoyed one of the more striking comebacks in recent memory.
For over 40 years Time Life has been releasing music collections in many different genres of music. Their latest is a bonanza for hard rock and hair metal fans. Hard And Heavy is 152 songs on 9 CDs.
Hard And Heavy is a massive collection of songs from the '70s and '80s. It includes classic rock artists like Foreigner and Bad Company, pop artists like Pat Benatar and Billy Idol, hair bands such as Winger, Warrant, Skid Row and Poison along with more traditional metal bands such as Judas Priest, Motorhead, Megadeth and Queensryche.
In 2011, bassist Charlie Haden and pianist Carla Bley led an iteration of the Liberation Music Orchestra in a live concert at the Jazz Middelheim Festival in Antwerp, Belgium. It was partially intended as a warm-up for a forthcoming Liberation Music Orchestra album, a process that had been in the works since 2007. Sadly, Haden died from post-polio syndrome in 2014 before any new LMO tracks could be recorded. Thankfully, Haden, along with his wife, Ruth Cameron Haden, and Bley had discussed his desires for how to finish the album prior to his passing. Furthermore, the 2011 performance, which included two new arrangements earmarked for the planned album, had been recorded for Belgian public radio. All this meant that an album was possible, and in 2015 Bley convened the LMO in a studio to record the new material. Per Haden's request, longtime friend and esteemed bassist Steve Swallow was brought in to play his parts.