Midwest Farmer's Daughter isn't merely an autobiographical title for the retro country singer/songwriter Margo Price, it's a nice tip of the hat to one of her primary inspirations, Loretta Lynn. The connections between the two country singers don't end there. Toward the end of her career, the Coal Miner's Daughter wound up collaborating with Jack White for 2004's Van Lear Rose, and White's Third Man Records provides a launching pad for Price, releasing her self-financed solo debut as-is as Midwest Farmer's Daughter.
Out of Season is a studio album by Portishead frontwoman Beth Gibbons and former Talk Talk bassist Paul Webb (under the pseudonym Rustin Man). It was released on 28 October 2002 in the United Kingdom and on 7 October 2003 in the United States. Out of Season is largely a folk album with jazz leanings, with Gibbons and Webb drawing more directly on the influences of Nina Simone, Billie Holiday, and Nick Drake, at which Portishead's work in trip hop only hinted. Out of Season also features contributions from Gibbons' fellow Portishead bandmate Adrian Utley and Webb's former bandmate Lee Harris.
Sea of Cowards arrived less than a year after the Dead Weather's debut, Horehound, an album that sounded like a bootleg of a 3 a.m. jam session – not a surprise, really, considering that the idea for the band came out of impromptu playing at Jack White's house. It’s also unsurprising that the Dead Weather evolved quickly, given that the group went from releasing Horehound to touring to recording again almost nonstop. Sea of Cowards isn’t a radical change from Horehound’s smoky, sludgy sound – if anything, White, Alison Mosshart, Dean Fertita, and Jack Lawrence go even deeper into their classic rock and blues fetishes – but it feels more organic, the product of a band instead of four separate personalities.
Fourteen years after his last solo outing, STILLS ALONE, Stephen Stills unveiled 2005's MAN ALIVE!, a remarkably vital and dynamic album that features the veteran performer penning almost every song and playing many of the record's instruments. Although David Crosby is absent, Stills's other CSNY mates, Graham Nash and Neil Young, turn up separately. While Nash subtly sticks to backing-vocal duty, Young contributes his typically incendiary electric-guitar lines to the hard-rocking "'Round the Bend" and offers up vocal harmonies and acoustic-guitar work on the spare, soulful "Different Man." A more unlikely cameo comes in the form of pianist Herbie Hancock's prominent presence on the 11-minute epic "Spanish Suite," which also features Latin percussion great Willie Bobo. Of course, Stills is the main attraction on MAN ALIVE!, with his husky voice carrying every song, including the socially conscious CSN-like track "Feed the People" and the blues-tinged "Piece of Me".
It took the Dead Weather two years to make and release Dodge and Burn, with the bandmembers recording whenever they had time to play together and issuing several songs as singles through Third Man's subscription service, The Vault. Despite these fragmented origins, this is the Dead Weather's most satisfying and engaging album, with everything that was good about their previous music getting a shot of adrenaline. The charged opening track, "I Feel Love (Every Million Miles)," is the first sign that things are a little different this time, with the spare swagger of '70s metal and boogie rock providing a platform for some of Dean Fertita's most unhinged guitar playing and some of Alison Mosshart's wildest vocals.
Taking place largely over the course of one tense night, Carol Reed’s psychological noir, set in an unnamed Belfast, stars James Mason as a revolutionary ex-con leading a robbery that goes horribly wrong. Injured and hunted by the police, he seeks refuge throughout the city, while the woman he loves (Kathleen Ryan) searches for him among the shadows. Reed and cinematographer Robert Krasker (who would collaborate again on The Third Man) create images of stunning depth for this fierce, spiritual depiction of a man’s ultimate confrontation with himself.
An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market.