The tapes of these two 1964 San Francisco shows stayed locked up at Columbia Records until the label drew a double-LP from them shortly after Monk's death in 1982. Never issued on CD in the U.S., that album is now superseded by this packed document that nearly doubles its length, restores edited portions of several performances, and adds a dozen performances that sometimes better the original recordings. Monk, saxophonist Charlie Rouse, bassist Larry Gales, and drummer Ben Riley are unsurprisingly on point for the dates, which are filled with numerous classics from the Thelonious book.
Les McCann Ltd. in San Francisco: Recorded Live at the Jazz Workshop was recorded in December of 1960 and released in 1961 on the Pacific Jazz label. Backing his piano were bassist Herbie Flowers and drummer Ron Jefferson. The original LP of this date featured seven selections – only about half of the entire gig. This Fresh Sound reissue contains four more tracks, bringing the total to 11.
For Monk fans, these Mo-Fis are must-haves. Wow! After releasing so many mediocre rock albums, Mobile Fidelity came through with not one but TWO shiny gold CDs by the enigmatic, lovable Thelonious Monk (accompanied in these live recordings by Charlie Rouse on sax, John Ore on bass, and Frank Dunlop on drums)….
A fantastic addition to the Barney Kessel catalog of the 50s – a never-heard live set that has the guitarist in form that's every bit as strong as his famous albums for Contemporary Records! In fact, the strength of the recording may well capture Kessel at a level that beats those sessions – as Barney's playing live, with a bit more bite – and really grabs us with the strong tone on his solos – and the sense of energy he gets in a quartet that also includes a young Pete Jolly on piano! The recording quality is excellent – crystal-clear, and very focused – and the set isn't one of those lost tapes that should have stayed "lost" – but instead a real lost chapter in Barney's tremendous career.
Second Flight: Live at the Z7 is the second live album by American progressive rock supergroup Flying Colors. The band recorded it on October 12, 2014 at the Z7 Konzertfabrik in Pratteln, Switzerland. Mike Portnoy chose the location because both Flying Colors and other bands of his had recorded multiple shows at the 013 in Tilburg. It was a challenging show for the band to perform because this was only the eighth show on the tour. The album title was coined by Portnoy. Bernhard Baran, who had filmed and edited Flying Colors' Live in Europe, returned to undertake this production. Executive producer Bill Evans requested a larger production than the previous release, resulting in 24 cameras being used; most of them being GoPro cameras attached to band members' instruments. The band used new audio and video technology on this release…