Verve's Master Edition of the Oscar Peterson Trio date released as Night Train includes stately covers of blues and R&B standards like "The Honeydripper," "C-Jam Blues," "Georgia on My Mind," "Bags' Groove," "Moten Swing," and "Things Ain't What They Used to Be." Ray Brown and Ed Thigpen provide tight accompaniment, and there are six previously unavailable tracks recorded the same day, including "My Heart Belongs to Daddy" and "Volare," as well as alternate takes of "Happy-Go-Lucky Local" and "Moten Swing."
This four-CD set contains 112 performances by the Trio from 1938-1941, radio transcriptions made especially to be played on the air. The early trio is instantly recognizable and, although there is a greater reliance on group vocals and guest singers (including Bonnie Lake, Juanelda Carter, Pauline and Her Perils, and the Dreamers) rather than on Cole's solo vocals, the music is not all that different from what the King Cole Trio would be playing a few years later when they became much better known.
The AYA (Are You Authentic?) is an association whose members are dedicated to the aim of providing an authentic musical experience in cars. “Are you Authentic“ campaigns for “real” and “natural” sound reproduction by e.g. organizing sound competitions, where the participants receive constructive criticism from an expert jury. The new “know-how” which thereby arises is shared by all without any financial considerations. In order to facilitate a reproducible test of audio systems, a detailed points system has been developed and together with Stockfisch Records and this SACD, with which the sound of hi-fi systems can be critically judged, therefore allows the most objective possible comparison of different systems. These tracks – some newly mixed, others specially recorded for this SACD – contain certain music signals which show up weaknesses in the sound reproduction chain. These tracks were selected to optimize sound systems if necessary. The tracks sound really good only when there are no mistakes in the system.
Reissue with the latest remastering. Comes with liner notes. Hard-hitting trio work from Ray – one of his early albums for Columbia, and the record that gave him a surprisingly big hit! "Little Susie" is one of those early 60s soul jazz standards, the kind of catchy tune that got played all over the place on radio, and which forever put the artist at the top of the list for recording dates and live sets for a few years. Ray's riding high here – with a trio that features brother Tommy Bryant on bass, and either Eddie Locke or Gus Johnson on drums – and the album's got lots of other short tracks with a similar down-home soul jazz kind of approach. Titles include "Blues For Norrie", "Big Buddy", "Greensleeves", and "If I Can Just Make It".
Other than a set in 1957, this long-out-of-print LP was guitarist Jim Hall's debut as a leader. The 29-year-old Hall was not exactly an unknown name at the time, having played with the Original Chico Hamilton Quintet and the Jimmy Giuffre Three; he was still a year away from joining Sonny Rollins. Subtitled "The Modest Jazz Trio," the band on this date consists of Hall, bassist Red Kelly, and Red Mitchell quite effectively playing piano (he was usually a bassist). The combination works quite well, performing what was essentially straight-ahead jazz. Originally, the unit was only supposed to record the "Good Friday Blues" for a blues anthology album, but the music felt so strong that the trio cut a full album in one day, performing three standards, two Mitchell originals and Bill Harris' "Bill Not Phil."