The Bassface Swing Trio

The Bassface Swing Trio - Plays Gershwin  Music

Posted by zerumuga at Nov. 11, 2008
The Bassface Swing Trio - Plays Gershwin

The Bassface Swing Trio - Plays Gershwin
Jazz | 2007 | Flac 95+95+47 MB | Time 37:58 | Covers

Description: Released on 16 March 2007, this is music and presence like you have never heard before. Vinyl album contains SACD/CD for comparison. Full support by the artists, choosing one take of each side themselves. Only 2000 copies have been pressed.
The Oscar Peterson Trio - Night Train (1962) {1997/2006, Reissue, Remastered}

The Oscar Peterson Trio - Night Train (1962) {1997/2006, Reissue, Remastered}
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 422 Mb | MP3 CBR320 ~ 201 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Jazz, Bop, Swing | Verve Records #0602498840252 / V-8538

Verve's Master Edition of the Oscar Peterson Trio date released as Night Train includes stately covers of blues and R&B standards like "The Honeydripper," "C-Jam Blues," "Georgia on My Mind," "Bags' Groove," "Moten Swing," and "Things Ain't What They Used to Be." Ray Brown and Ed Thigpen provide tight accompaniment, and there are six previously unavailable tracks recorded the same day, including "My Heart Belongs to Daddy" and "Volare," as well as alternate takes of "Happy-Go-Lucky Local" and "Moten Swing."
Nat King Cole - The Complete Early Transcriptions Of The King Cole Trio: 1938-1941 (1991) {4CD Box Set Vintage Jazz Classics}

Nat King Cole - The Complete Early Transcriptions Of The King Cole Trio: 1938-1941 (1991) {4CD Box Set Vintage Jazz Classics}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 621 Mb | MP3 @320 -> 536 Mb
Full Artwork @ 600 dpi (jpg) -> 232 Mb | 5% repair rar
© 1991 Vintage Jazz Classics | VJC-1026/27/28/29-2
Jazz / Blues / Vocal / Jump Blues / Swing / Vocal Jazz / Traditional Pop

This four-CD set contains 112 performances by the Trio from 1938-1941, radio transcriptions made especially to be played on the air. The early trio is instantly recognizable and, although there is a greater reliance on group vocals and guest singers (including Bonnie Lake, Juanelda Carter, Pauline and Her Perils, and the Dreamers) rather than on Cole's solo vocals, the music is not all that different from what the King Cole Trio would be playing a few years later when they became much better known.
VA - Sennheiser HD 800 Experience (2009, Stockfisch Records # SFR 457.9801.2) {Hybrid-SACD // EAC Rip} [RE-UP]

VA - Sennheiser HD 800: Klang Von Meisterhand
EAC+LOG+CUE | FLAC: 125 MB | Full Artwork: 67 MB | 5% Recovery Info
Label/Cat#: Stockfisch Records # SFR 457.9801.2 | Country/Year: Germany 2009
Genre: Folk, Acoustic | Style: Singer/Songwriter
VA - AYA - Authentic Audio Check (2011, Stockfisch Records # SFR 357.9011.2) {Hybrid-SACD // EAC Rip}

VA - AYA - Authentic Audio Check
EAC+LOG+CUE | FLAC: 274 MB | Part. Artwork | 5% Recovery Info
Label/Cat#: Stockfisch Records # SFR 357.9011.2 | Country/Year: Germany 2011
Genre: Acoustic, Jazz, Technical | Style: Contemporary Jazz, Instrumental, Singer/Songwriter

The AYA (Are You Authentic?) is an association whose members are dedicated to the aim of providing an authentic musical experience in cars. “Are you Authentic“ campaigns for “real” and “natural” sound reproduction by e.g. organizing sound competitions, where the participants receive constructive criticism from an expert jury. The new “know-how” which thereby arises is shared by all without any financial considerations. In order to facilitate a reproducible test of audio systems, a detailed points system has been developed and together with Stockfisch Records and this SACD, with which the sound of hi-fi systems can be critically judged, therefore allows the most objective possible comparison of different systems. These tracks – some newly mixed, others specially recorded for this SACD – contain certain music signals which show up weaknesses in the sound reproduction chain. These tracks were selected to optimize sound systems if necessary. The tracks sound really good only when there are no mistakes in the system.
VA - Sennheiser HD 800 Experience [Hybrid SACD: PS3 SACD Rip & EAC CD Rip]

Various Artists: Sennheiser HD 800 - Klang Von Meisterhand [CD Rip: Repost]
ISO (2.0): 932 MB | 24B/88,2kHz FLAC (2.0): 409 MB | EAC Rip, FLAC LOG & CUE: 125 MB (2.0) | Lossless Artwork: 67 MB | Recovery Info
Label/Cat#: Stockfisch SFR 457.9801.2 | Country/Year: Germany 2010 | Genre: Singer/Songwriter, Folk, Acoustic | Hoster: FP/FF
The Ray Bryant Trio - Little Susie (1960) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4028}

The Ray Bryant Trio - Little Susie (1960) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4028}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 263 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 270 Mb | 5% repair rar
© 1960, 2014 Columbia / Sony Music Japan | SICP 4028
Jazz / Soul Jazz / Hard Bop / Piano Trio

Reissue with the latest remastering. Comes with liner notes. Hard-hitting trio work from Ray – one of his early albums for Columbia, and the record that gave him a surprisingly big hit! "Little Susie" is one of those early 60s soul jazz standards, the kind of catchy tune that got played all over the place on radio, and which forever put the artist at the top of the list for recording dates and live sets for a few years. Ray's riding high here – with a trio that features brother Tommy Bryant on bass, and either Eddie Locke or Gus Johnson on drums – and the album's got lots of other short tracks with a similar down-home soul jazz kind of approach. Titles include "Blues For Norrie", "Big Buddy", "Greensleeves", and "If I Can Just Make It".
The Ornette Coleman Trio - At the Golden Circle in Stockholm, Vol.1 (1965/2013) [Official Digital Download 24bit/192kHz] RE-UP

The Ornette Coleman Trio - At the "Golden Circle" in Stockholm, Vol.1 (1965/2013)
FLAC (tracks) 24 bit/192 kHz | Time - 39:26 minutes | 1,6 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

At The "Golden Circle" Stockholm Vol. 1 is the first installment in a two-volume set featuring The Ornette Coleman Trio performing at the Gyllene Cirkeln club in Stockholm. The two-night event features Ornette Coleman (alto sax), David Izenzon (bass) and Charles Moffett (drums). The ensemble delivers thrilling performances of “Faces And Places,” “Dawn” and “European Echoes.” The Penguin Guide To Jazz included both volumes as part of its “Core Collection” and gave both four star reviews.
The Ornette Coleman Trio - At the Golden Circle in Stockholm, Vol.2 (1965/2013) [Official Digital Download 24bit/192kHz] RE-UP

The Ornette Coleman Trio - At the 'Golden Circle' in Stockholm, Vol.2 (1965/2013)
FLAC (tracks) 24 bit/192 kHz | Time - 43:59 minutes | 1,66 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

At The "Golden Circle" Stockholm Volume Two is the second installment in a two-volume set featuring The Ornette Coleman Trio performing at the Gyllene Cirkeln club in Stockholm. The two-night event features Ornette Coleman (alto sax), David Izenzon (bass) and Charles Moffett (drums). The ensemble performs with exhilarating synergy on tunes including “Snowflakes And Sunshine,” “The Riddle” and “Antiques.” The Penguin Guide To Jazz included both volumes as part of its “Core Collection” and gave both four star reviews (of a possible four stars). These recordings marked the beginning of Ornette Coleman's contract with Blue Note.
The Modest Jazz Trio - Good Friday Blues (1960) [Reissue 2011] (Repost)

The Modest Jazz Trio - Good Friday Blues (1960) [Reissue 2011]
EAC Rip | FLAC (image+.cue+log) - 194 MB | MP3 CBR 320 kbps (LAME 3.93) - 90 MB | Covers - 32 MB
Genre: Jazz | RAR 3% Rec. | Label: EMI Music Japan (TOCJ-50139)

Other than a set in 1957, this long-out-of-print LP was guitarist Jim Hall's debut as a leader. The 29-year-old Hall was not exactly an unknown name at the time, having played with the Original Chico Hamilton Quintet and the Jimmy Giuffre Three; he was still a year away from joining Sonny Rollins. Subtitled "The Modest Jazz Trio," the band on this date consists of Hall, bassist Red Kelly, and Red Mitchell quite effectively playing piano (he was usually a bassist). The combination works quite well, performing what was essentially straight-ahead jazz. Originally, the unit was only supposed to record the "Good Friday Blues" for a blues anthology album, but the music felt so strong that the trio cut a full album in one day, performing three standards, two Mitchell originals and Bill Harris' "Bill Not Phil."