Verve's Master Edition of the Oscar Peterson Trio date released as Night Train includes stately covers of blues and R&B standards like "The Honeydripper," "C-Jam Blues," "Georgia on My Mind," "Bags' Groove," "Moten Swing," and "Things Ain't What They Used to Be." Ray Brown and Ed Thigpen provide tight accompaniment, and there are six previously unavailable tracks recorded the same day, including "My Heart Belongs to Daddy" and "Volare," as well as alternate takes of "Happy-Go-Lucky Local" and "Moten Swing."
The AYA (Are You Authentic?) is an association whose members are dedicated to the aim of providing an authentic musical experience in cars. “Are you Authentic“ campaigns for “real” and “natural” sound reproduction by e.g. organizing sound competitions, where the participants receive constructive criticism from an expert jury. The new “know-how” which thereby arises is shared by all without any financial considerations. In order to facilitate a reproducible test of audio systems, a detailed points system has been developed and together with Stockfisch Records and this SACD, with which the sound of hi-fi systems can be critically judged, therefore allows the most objective possible comparison of different systems. These tracks – some newly mixed, others specially recorded for this SACD – contain certain music signals which show up weaknesses in the sound reproduction chain. These tracks were selected to optimize sound systems if necessary. The tracks sound really good only when there are no mistakes in the system.
This album is quite unusual. Recorded shortly after Nat King Cole's death, pianist Oscar Peterson takes vocals on all but one of the dozen selections, sounding almost exactly like Cole. Peterson, who rarely ever sang, is very effective on the well-rounded program, whether being backed by a big band (arranged by Manny Albam) on half of the selections or re-creating both the spirit of the Nat King Cole Trio and his own group of the late '50s during a reunion with guitarist Herb Ellis and bassist Ray Brown.
Recorded in one day (August 23, 1957) at Rudy Van Gelder’s studio in Hackensack, NJ. This date of ballads and burners features the young tenor saxophonist John Coltrane leading a quartet comprised of pianist Red Garland, bassist Paul Chambers and drummer Arthur Taylor. Liner notewriter (original and reissue) Ira Gitler remarks, “In the ‘50s I was called upon to name many of the untitled songs at Prestige. Traneing In came to me because of the way [Coltrane] homed in after Garland’s opening solo [on the song].” This album is significant in that it took place halfway through Coltrane’s break with Miles Davis’ classic quintet of the ‘50s and it was the same year that the tenor saxophonist hooked up with Thelonious Monk to record the recently discovered live Carnegie Hall masterpiece.
Chico Hamilton Trio Introducing Freddie Gambrell is an album by drummer and bandleader Chico Hamilton released on the World Pacific label. Freddie Gambrell was a little known West Coast pianist playing at San Franciscos Bop City club when, in 1956, Chico Hamilton heard him for the first time. I was so impressed while listening to him play that I felt I must play with this guywhich often happens to a musician when he hears something that he really digs, especially if he is right there when its happeningand so I did, said Hamilton. Gambrells fresh, lively talent was immediately accepted throughout the jazz scene when his playing was heard on his first album, under Chico Hamiltons leadership.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Guitarist Johnny Smith in a sweet, laidback trio setting – just the kind of mode that's perfect for his gentle sense of color and tone – a style he virtually invented for jazz guitar in the 50s! The album's one of his classics for the Roost label, and it's a masterpiece in chromatic hues – subtle, simple, but completely fantastic – at a level that makes Johnny Smith one of the true legends in jazz guitar from the 50s. Accompaniment is by George Roumanis on bass and Mousie Alexander on drums – but both players are extremely gentle, and leave most of the sound to Johnny – as it should be. Titles include "Little Girl Blue", "My Funny Valentine", "Polka Dots & Moonbeams", "Everything Happens To Me", "Pavanne", and "Blues Back Stage".
This outstanding DVD, recorded live at the Funkhaus, Hannover for a TV broadcast, on December 14, 1972, not only gives us the opportunity to listen to Webster, but far more rarely, to see him in performance, exquisitely backed by the Oscar Peterson Trio featuring the late Danish bassist Niels-Henning Orsted Pedersen & Tony Inzalaco, drums.
Webster and Peterson played together many times, and the tenor saxophonist often said that Oscar was his favorite accompanist.