TOR LUNDVALLS NOTES: In September 2012, I received an e-mail from someone named John B. who said he had assembled a lengthy remix of my music, which also incorporated some of his own material. John asked if Id mind if he posted this recording on YouTube, to which I agreed. He also mentioned that there was a second part to his mix that was roughed out, but never completed. I was curious to hear both parts, so shortly afterwards, John mailed me two CDrs which I enjoyed very much. The recordings were hypnotic and haunting, evoking images of vast fields at twilight. I was especially fond of the second disc which had a darker atmosphere and featured more of Johns original material, beginning with ghostly clock chimes and ending with a mysterious piece using dried seed pods and other cryptic sounds that slowly built-up into an intense, almost claustrophobic environment.
The Works is the eleventh studio album by the British rock band Queen, released on 27 February 1984 by EMI Records in the United Kingdom and by Capitol Records in the United States. After the synth-heavy Hot Space (1982), the album saw the re-emergence of Brian May and Roger Taylor's rock sound, while still incorporating the early 80s retro futuristic electronic music (Freddie Mercury) and New York funk scenes (John Deacon). Recorded at the Record Plant Studios in Los Angeles, California and Musicland Studios in Munich, Germany from August 1983 to January 1984, the album's title comes from a comment Taylor made as recording began – "Let's give them the works!" During the decade, after a conservative reaction against and ban of the music video for "I Want to Break Free" in the United States, the band decided not to tour in North America and lost the top spot in U.S. sales, but sales around the world (especially Europe) would be even better. The Works has sold over 5 million copies worldwide.