With their beautiful harmony vocals and gentle melodies, Peter, Paul & Mary were the most popular folk act of the 1960s. While Bob Dylan was unquestionably the genre's most influential and revered performer by the mid-1960s, it was Peter Yarrow, Noel Paul Stookey, and Mary Travers who helped him to reach a larger audience with their accessible '63 renditions of his "Blowin' in the Wind" and "Don't Think Twice, It's All Right." In addition to Dylan, the group also championed the work of Gordon Lightfoot and John Denver, most notably with the wanderlust tales "For Lovin' Me" and "Leaving on a Jet Plane" (a runaway hit in '69), respectively.
All of the aforementioned tunes are presented on THE VERY BEST OF PETER, PAUL & MARY, a 25-track set carefully compiled by the trio itself. This 2005 collection focuses almost exclusively on the '60s and '70s work of PP&M, with the exception of the deceptively breezy "El Salvador" (from '86) and 2003's "Don't Laugh at Me," which finds the threesome in fine voice more than 40 years after the group was founded in New York City's Greenwich Village. Also included are three early-'70s solo tracks–one apiece by Yarrow, Stookey, and Travers–rounding out this wonderfully selected disc, which is a must for any folk collection.
Peter, Paul & Mary: Noel "Paul" Stookey, Peter Yarrow (vocals, acoustic guitar); Mary Travers (vocals).
Recording information: 1962 - 2003.Dirty Linen (p.85) - "It's fun to see the group really lay its politics on the line in 'El Salvador,' and 'Weave Me the Sunshine' is as vibrant as anything Peter, Paul, and Mary ever recorded."
"Hard to believe, but Capitol's 2008 collection Idolize Yourself: The Very Best of Billy Idol is only the second Billy Idol hits album to be released in America, following the first – 2001's Greatest Hits – by just seven years. [~ Stephen Thomas Erlewine, All Music Guide]
This two-CD set collects most of Celine Dion's essential recordings from her pre-superstar years, when she was a very young French singer, popular in Canada and France. This set starts with the heavily synthesized Euro pop of the 1988 Eurovision contest winner "Ne Partez Pas Sans Moi," which was the song that introduced the singer to international audiences, and is something of a milestone in her career. Many of the songs on this set are fair, and differ from the processed teen pop of the late 1990s because of the ever-present sincerity in Dion's voice. Highlights include the elegant ballads "Tellement J'ai D'amour Pour Toi," "Benjamin," and "La Voix Du Bon Dieu"…
The Very Best of Frank Sinatra is a simple double-disc collection of 40 Sinatra classics from his Reprise Recordings. For casual fans wanting something more than the single-disc The Very Good Years but don't want the four-disc The Reprise Collection, The Very Best of Frank Sinatra is ideal, since it contains all of the true essentials he recorded during the '60s and '70s, including "Summer Wind," "Strangers in the Night," "My Way," "It Was a Very Good Year," and "Theme From New York, New York."
Over the course of three albums and an EP, Ugly Kid Joe managed to parlay their pronounced Guns N' Roses fixation into something of a career. On their best songs – "Everything About You," "Neighbour," and "Milkman's Son" – they blended cartoon rebellion and a sense of humor best described as pre-adolescent into powerhouse singles full of tasteless good fun. Perfect for that time of life when all one wants to do is go around breaking things. Though routinely flagged as a hair band, their twin-guitar attack and fondness for funky, bottom-end heavy riffing also places Ugly Kid Joe among the forefathers of the late-'90s rap-metal explosion. As Ugly as They Wanna Be showcases the band in all their juvenile glory – from their surprise hit version of Harry Chapin's "Cat's in the Cradle" to their tight cover of Black Sabbath's "NIB" to "Busybee" – pretty much the best Guns N' Roses song Guns N' Roses never recorded – all the hits are here, present and accounted for.
"My name is Christopher von Deylen - and I am Schiller." At some point during every Schiller concert, von Deylen speaks these ten words and the crowd goes wild. Schiller’s ethereal “global pop”, as his fans and the press have coined the style, gives the listener a feeling of floating in a dream world. Inspired by electronic classics such as Tangerine Dream, Kraftwerk, and Jean-Michel Jarre, von Deylen is known for creating visionary sounds that are way ahead of their time.
"Timeline: The Very Best of 1998-2011" looks back on Schiller’s accomplishments through the years as it chronicles the best and most important songs of Schiller’s career…