Rich oriental lord Cassim's cheeky servant Ali Baba was sent to buy a meaty girl-slave, but brings dancer Morgiane, whom he is enamored with. When he's part of a caravan robbed by Abdel's 40 thieves, Ali hides in a camel hive and thus learns the secret of Sesame cave. With stolen loot he buys Morgiane and his own residence for him and beggar friends. Cassim not only gets him drunk to learn his secret gold source but also plans to rob him at the grand wedding with Morgiane. But Abdel observed them too and invites his 40 robbers.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Between 1958 and 1962, the Three Sounds were one of the most prolific artists on Blue Note, recording over ten albums worth of material during those four years. During all that time, the group never changed their style much, concentrating on lightly swinging, lightly soulful mainstream jazz that balanced jazz and pop standards with bluesy originals. As time progressed, they veered closer to soul-jazz, but each of their records sounded quite similiar and were equally satisfying. Black Orchid, their last album for Blue Note in the early '60s (they would rejoin the label in another four years), was no exception to the rule.
Sonny Stitt is in excellent form on this Roulette CD. Recorded live at a Boston club, Stitt uses a local rhythm section (pianist Dean Earl, bassist Bernie Griggs and drummer Marquis Foster) as he jams on a variety of standards. Stitt mostly switches between alto and tenor, but on "Tri-Horn Blues" he takes solos not only on both of those saxes, but also on his rarely heard baritone. Overall, this CD gives one a good all-around sampling of early Sonny Stitt.
All the rave reviews about this album are justified; this is a superb, sizzling, and very soulful live recording from 1970. According to the liner notes this recording was made "almost as an afterthought" by Blue Note. But afterwards, the label decided not to release the show, keeping it in the Blue Note vaults until it finally saw the light of day in 2000. But patience is rewarded; this is a fantastic album.