Manifold Records present The Sounds Of Asia Vol. 1. 25 excellent Chillout tracks and a continuous mix with mixing duties handled by DJ Maretimo.
Mention Nashville and the first thing that enters most minds will be Country Music and the Grand Ole Opry. Then again, for true believers the city is also the nation’s centre for Bible publishing. Perhaps less well-known but in striking contrast to God and double-knit suits is that throughout the late 1940s and 1950s, Nashville was also the home of a thriving blues and R&B recording industry. Principal among the labels were Bullet, Republic, Tennessee, Nashboro and Excello, with a welter of smaller ones such as World, Mecca, J-B and Cheker.
Detroit in the 1940s and ‘50s didn’t have a thriving record industry like Chicago. Detroit artists went there because that’s where the companies were. Even musicologist Alan Lomax made just one visit for the Library of Congress in 1938, when he recorded Calvin Frazier and Sampson Pittman. Nevertheless, enterprising individuals like Jack and Devora Brown, Bernard Besman and Joe Von Battle did their best to reflect the city’s musical talent.
Like Memphis, Tennessee, Atlanta was a staging post for itinerant musicians and like Memphis, it was home to an impressive number of guitarists who established a very distinctive style of playing that became synonymous with the city. It was also the location for the first country blues artist, Ed Andrews, to be recorded. Three years later, Julius Daniels was the first Carolina bluesman to record. Atlanta was also a recording centre for out-of-state artists such as Blind Lemon Jefferson, Bo Carter, the Memphis Jug Band, Blind Willie Johnson and Hambone Willie Newbern. A further school of blues gathered around Peg Leg Howell and Eddie Anthony.