Guardians of the Galaxy: Awesome Mix Vol. 1 (Original Motion Picture Soundtrack) is the soundtrack album for the Marvel Studios film of the same name. Featuring the songs present on Peter Quill's mixtape in the film, the album was released by Hollywood Records on July 29, 2014. A separate film score album, Guardians of the Galaxy (Original Score), composed by Tyler Bates, was also released by Hollywood Records on the same date, along with a deluxe version featuring both albums. The soundtrack album reached number one on the US Billboard 200 chart, becoming the first soundtrack album in history consisting entirely of previously released songs to top the chart. The album topped the Billboard Top Soundtracks for 11 consecutive weeks and 16 weeks in total. As of January 2015, it has sold 1,003,000 copies in the United States, and has been certified Platinum by the RIAA. The album was the US's second best-selling soundtrack album of 2014, behind only the soundtrack to Frozen.
2011 issue 68-track 5-CD box set comprised of the best selling and critically acclaimed album releases 'Borrowed Heaven', 'Forgiven Not Forgotten', 'Home', 'In Blue' and 'Talk On Corners'; each album is housed in a mini LP-style card picture sleeve with the complete set presented in a sealed card slipcase.
The Mass Effect series has always been known for its iconic music; reminiscent of the great space operas of the 80’s, while bringing something fresh and new to the genre. In the years since the trilogy, the influences of Mass Effect have been seen and heard in the gaming, television and movie industry. When we were imagining the music for Andromeda, it was key that we retain the spirit of what made Mass Effect unique, but also strive to bring it into the future. The score for Andromeda holds true to the heart of the Mass Effect experience, but also explores new ground. Just as the story and characters bravely face a new galaxy, filled with the unknown, the music of Andromeda takes us on a new journey for the Mass Effect series. Expanding the universe in new and exhilarating ways.
There’s nothing disastrous about Daniel Pemberton’s fine score. Pemberton’s star has been on the rise for a few years now and it was 2015 that turned out to be his real breakthrough year, with his very impressive (and very different) scores for The Man from UNCLE and Steve Jobs. There’s a bit of the effortless cool of the former heard in Gold but by and large this is another very different affair, a fun action/adventure score that stays refreshingly free of the turgid sounds that tend to dog these things these days.
For Becoming Jane, Adrian Johnston delivers an elegant score that perfectly captures the poignant and bittersweet, utterly romantic tone of the film. Johnston was given permission to study the surviving music books that once belonged to the Austen family in preparation for scoring the film, and that study shows. By weaving music from the period throughout the score, he gives this highly speculative "biopic" a genuinely authentic feel. Particularly notable is the inclusion of themes from "The Irishman" in the tracks "Bond Street Airs" and "A Letter." Also noteworthy are the tracks "The Basingstoke Assembly," featuring "The Recruiting Officer," and "Laverton Fair," featuring "Softly good Tummas" - both pieces of source music by Kynaston/Walsh and arranged by Johnston sparkle with energy. Track after track of the score features cues of music positively dripping with the sound of delicate strings and exquisite piano solos. This is music to think, to read, to write, to DREAM by - it encourages a quiet, reflective mood (perfectly suited to curling up with one of Austen's novels and a cup of tea).