A studio script screener gets on the bad side of a writer by not accepting his script. The writer is sending him threatening postcards. The screener tries to identify the writer in order to pay him off so he'll be left alone, and then in a case of mistaken identity gone awry, he accidentally gives the writer solid ammunition for blackmail. This plot is written on a backdrop of sleazy Hollywood deals and several subplots involving the politics of the industry.
Lindsey Buckingham quit Fleetwood Mac after the release of their Tango in the Night album in 1987 and spent the subsequent five years working on his first post-Mac solo album, Out of the Cradle. Perhaps because he was now focused on his solo career, Buckingham reined in the experimental style of his first two albums, producing more conventional, accessible material, much of it similar to his later work with Fleetwood Mac…
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
Sky were an English/Australian instrumental group which specialised in fusing a variety of musical styles including light rock, progressive rock, classical and jazz. The group's best known members were classical guitarist John Williams, bass player Herbie Flowers (a former member of Blue Mink and T. Rex) and Francis Monkman, a founder member of progressive rock band Curved Air.