Sweet Child, released in 1968, at the peak of Pentangle's career, is probably the most representative of their work. A sprawling two-record set, half recorded in the studio and half live at the Royal Festival Hall, showcases just how versatile Pentangle was in their unique brand of English folk, jazz, Celtic, blues, and pop styles. Some of the live covers are easily their finest performances. Furry Lewis' "Turn Your Money Green," sung by the delightful Jacqui McShee, swings sweetly, buttressed of course by John Renbourn and Bert Jansch's guitar tapestry. Charlie Mingus' "Haitian Flight Song" features a great solo by bassist Danny Thompson, who was easily one of the finest musicians to grace the instrument. The studio tracks are uniformly excellent as well, especially "The Time Has Come," which turns waltz time inside out. McShee, Renbourn, and Jansch all turn in career performances on this track. But these examples merely scratch the surface of Pentangle's peak. In all, Sweet Child is an awesome and delightful collection, and probably their finest hour.
Remastered reissue of the British folk-rock act's 1968 debut album. Divided between traditional and original material, highlights included their arrangement of 'Bruton Town' and the seven-minute instrumental laden 'Pentangling'. This CD also features 7 bonus tracks 'Koan' (alt. version), 'The Wheel' (alt. version), 'The Casbah' (alt. Version), 'Bruton Town' (edit 1/5/3), 'Hear My Call' (alt. Version), 'Way Behind The Sun' (alt version) & 'Way Behind The Sun' (Instrumental).
Originally released in 1970, this was the fourth release from the British folk-rock group Pentangle and may qualify as their swan song. With only five songs, Jacqui McShee, Bert Jansch, John Renbourn, Terry Cox, and Danny Thompson create a dense, layered sound that is woven within the fabric of each song like a tapestry…
Sarah Deever (Sandy Dennis) is an idealistic young woman living in Brooklyn. Her altruistic nature finds her taking in visitors for a month at a time to help them in their time of need. Charlie Blake (Anthony Newley) is her latest reclamation project, a cardboard-box factory worker and owner of an annoyingly loud alarm on his wristwatch. Charlie gains entrance to her apartment and eventually her heart when he reveals he always wanted to be a poet. Sarah seeks to overcome her own problems by helping those in need, but her need for Charlie's love soon supersedes her initial intentions. He is allowed to stay for the month of November as she adheres to her traditional deadline on guests.