The Keith Tippett Group

The Keith Tippett Group - Dedicated To You, But You Weren’t Listening (1971) [2013, Esoteric, ECLEC2367]

The Keith Tippett Group - Dedicated To You, But You Weren’t Listening (1971)
EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
2013 | Remastered | Esoteric, ECLEC2367 | ~261 or 262 or 102Mb | Scans(600dpi, jpg) -> 139Mb
Jazz rock / Fusion

Up there with 'Elastic Rock' by Nucleus and Soft Machine's 'Third', The Keith Tippett Group's excellent 'Dedicated To You But You Weren't Listening' occupies the upper echelons of British jazz-fusion and is rightfully hailed as a classic album by fans and critics alike…
The Keith Tippett Group - You Are Here... I Am There (1970) [2013, Esoteric, ECLEC2366]

The Keith Tippett Group - You Are Here… I Am There (1970)
EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
2013 | Remastered | Esoteric, ECLEC2366 | ~242 or 243 or 109Mb | Scans(600dpi, jpg) -> 55Mb
Progressive rock / Jazz rock / Fusion

Keith Tippett's debut album as a bandleader was and remains a rather remarkable affair in that it was the first engagement of British young people who came up in rock, pop, and blues bands to play jazz…
The Keith Tippett Group - Dedicated To You, But You Weren't Listening (Vertigo 1971) 24-bit/96kHz Vinyl Rip.

The Keith Tippett Group - Dedicated To You, But You Weren't Listening (1971)
Vinyl rip @ 24/96 | FLAC | Artwork | 910Mb inc. 5% recovery
Rapidshare | Jazz Rock | Original UK Vertigo pressing / 6360 024
Improved sound files now posted

Pianist, composer, arranger, and bandleader Keith Tippett's first album, You Are Here…I Am There, was issued in 1969, and received some notice as the work of an ambitious composer looking for a voice. Apparently, by the time he recorded Dedicated to You, But You Weren't Listening, which was released in 1971, he'd found it in spades. Tippett has become one of the great lights of the British free jazz movement, and for more than 30 years he has led groups of improvising musicians, from two to 40 in number, on some of the most exploratory and revelatory harmonic adventures in musical history – whether those in America know it or not. The band here is comprised of 11 pieces, including Elton Dean, Robert Wyatt, Nick Evans, Roy Babbington, Gary Boyle, Neville Whitehead, and others. The commitment to jazz here is total, as Tippett grafts the dynamic sensibilities of George Russell, the textural and chromatic palettes of Gil Evans, and the sheer force of Oliver Nelson onto his own palette. The interplay between soloists and ensembles is dazzling – check "Thoughts for Geoff," with blazing solos by Nick Evans, cornetist Marc Charig, and Tippett himself in a series of angular arpeggios interspersed with chordal elocution. Wyatt's drumming, which opens the record with a bang on "This Is What Happens," is easily the most inspired of his career on record. The nod to Mingus on "Green and Orange Night Park" is more than formal; it's an engagement with some of the same melodic constructs Mingus was working out in New Tijuana Moods. In sum, this is an adventurous kind of jazz that still swings very hard despite its dissonance and regards a written chart as something more than a constraint to creative expression. Brilliant. Thom Jurek AMG
The John Renbourn Group – Live In America (1982) Flying Fish/FC 27103 – 2 LP/Original US Pressing - LP/FLAC In 24bit/96kHz

The John Renbourn Group – Live In America
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 2gb & 500mb
Label: Flying Fish/FC 27103 | Released: 1982 | Genre: Progressive-Folk

Essential: a masterpiece of progressive rock music
When the network did not exist and at the time of purchase music, I often faced sealed LPs, without oportunity able to listen them. How to choose and buy without a mistake?
Well, in my case I always depended on my instincts. Sometimes a simple but attractive cover was the final choice (evidently based on artists I knew). An excellent example is this double LP of “The John Renbourn Group”, knew about John Renbourn next to Jacqui McShee (Both from Pentangle).

The Edgar Winter Group - Shock Treatment (1974) Reissue 1990  Music

Posted by Designol at April 4, 2017
The Edgar Winter Group - Shock Treatment (1974) Reissue 1990

The Edgar Winter Group - Shock Treatment (1974) Reissue 1990
XLD | FLAC | Tracks (Cue&Log) ~ 259 Mb | Mp3 (CBR320) ~ 97 Mb | Scans included | 00:40:35
Classic Rock, Hard Rock, Blues Rock, Boogie Rock | Label: Epic | # EK 32461

With this release, Edgar Winter was faced with the question that haunts many a superstar following a highly successful album – how can he outdo himself? While Shock Treatment falls short of outdoing himself, it still manages to rock pretty righteously. Beginning with this album's answer to their previous "Hangin' Around," "Some Kinda Animal," the band moves into the excellent blues torcher "Easy Street," which is painted with highlights from the substantial saxophone talent of Winter, not to mention some of his finest singing. Like They Only Come Out at Night, this recording includes a pair of haunting ballads, "Maybe Someday You'll Call My Name" and "Someone Take My Heart Away." "Queen of My Dreams," along with "River's Risin'," showcase the Edgar Winter Group doing what they do best – rocking out with passion and lots of drums and guitar. Not as good as their previous album, but still a winner in its own right.

The c and a-Theorems and the Local Renormalisation Group  eBooks & eLearning

Posted by AvaxGenius at April 1, 2017
The c and a-Theorems and the Local Renormalisation Group

The c and a-Theorems and the Local Renormalisation Group By Graham Shore
English | PDF | 2017 | 105 Pages | ISBN : 331953999X | 1.5 MB

The Zamolodchikov c-theorem has led to important new insights in the understanding of the Renormalisation Group (RG) and the geometry of the space of QFTs. The present primer introduces and reviews the parallel developments of the search for a higher-dimensional generalisation of the c-theorem and of the Local RG (LRG).
The Lonnie Plaxico Group - Live at Jazz Standard (2004) [Stereo & MCH] PS3 ISO + Hi-Res FLAC

The Lonnie Plaxico Group - Live at Jazz Standard (2004)
PS3 Rip | SACD ISO | DSD64 2.0 & DST64 5.0 > 1-bit/2.8224 MHz | 55:16 minutess | Scans NOT included | 3,62 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1,12 GB

Bassist Lonnie Plaxico is perhaps best known for his associations with Greg Osby & M-Base, & for being the long-time bassist for Cassandra Wilson. He was the leader of several recordings made for the now static Muse label in the '80s & '90s. On January 29, 2003, Plaxico was leading an energetically funky sextet at New York City's Jazz Standard.

The Tension Between Group Rights and Human Rights: A Multidisciplinary Approach  eBooks & eLearning

Posted by ChrisRedfield at Feb. 15, 2017
The Tension Between Group Rights and Human Rights: A Multidisciplinary Approach

Koen De Feyter, George Pavlakos - The Tension Between Group Rights and Human Rights: A Multidisciplinary Approach
Published: 2008-07-23 | ISBN: 1841138290 | PDF | 312 pages | 1.03 MB
The Schrodinger Model for the Minimal Representation of the Indefinite Orthogonal Group O

The Schrodinger Model for the Minimal Representation of the Indefinite Orthogonal Group O by Toshiyuki Kobayashi
English | 2011 | ISBN: 0821847570 | 132 Pages | PDF | 1.07 MB

Expansions: The Dave Liebman Group - Samsara (2014)  Music

Posted by SuniR at Jan. 25, 2017
Expansions: The Dave Liebman Group - Samsara (2014)

Expansions: The Dave Liebman Group - Samsara (2014)
EAC | FLAC (log,tracks+cue) -> 361 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 153 Mb (5% Rec.) | Scans -> 32 Mb
Contemporary Jazz | Label: Whaling City Sounds, wcs 068 | 2014 | 01:04:44

After 20 years of exploring free, collective improvisation with his former group, Liebman embarks on a brilliant new adventure, with a new generation of talented musicians eager, like their bandleader, to alter the language of jazz. His influences Monk and Miles endure, with unpredictable rhythms and harmonic devices, especially on excursions like the funky Liberian Hummingbird and the uniquely re-harmonized Level One. Samsara recycles and re-orders the twelve pitches of Western music several times in tempo, key and rhythm over a colorful canvas.