This is a great compilation. Starting with the sixties tune "Go Now," when the group was in it's infancy, the CD just continues to go through the essential repertoire. The Moody's, along with The Beatles and Procol Harum, were an integral part of bringing rich, symphonic arrangements to Rock. This CD is a marvelous showcase of that phenomenon. They are also one of the best synthesizer groups ever, as well. Only ELP and Yes can compete in that category. ~ Bruce Kendall
The Progressive Blues Experiment is the debut album by Johnny Winter. The Progressive Blues Experiment was originally issued on Austin's Sonobeat Records label in 1968. When Winter signed to Columbia Records, the rights were sold to Imperial Records who reissued the album in 1969. Winter plays here in a trio with his late-sixties band. Several blues artists are covered including B.B. King ("It's My Own Fault"), Sonny Boy Williamson ("Help Me"), and Slim Harpo ("I Got Love If You Want It").
Along time ago, I bought this LP from “The Moody Blues”, because it appears the original single “Nights In White Satin”.
The Moody Blues classic 1967 album Days Of Future Passed is regarded as one of the foundation stones of the progressive rock genre. In 2017, the band headed out on the album's 50th Anniversary Tour including the wonderful show captured at the Sony Centre For The Performing Arts in Toronto accompanied by a full orchestra…
Essential: a masterpiece of progressive rock music
“Lovely to see you again”
An excellent compilation covering the period from “Days of future passed” up to and including “Seventh Sojourn”. This was the Moody Blues most creative and productive period, and the tracks selected here arguably represent the best of those albums.
Following on from the hard-hitting blues of their debut album, Plays On caught the Climax Chicago Blues Band in somewhat transitional waters, testing any number of different musical styles, but never really setting on any. Certainly the funk thump that characterized their better later work was still an idea waiting to be explored, as the group instead fluttered between the scurrying jazz of the opening "Flight," the psychedelic tinge of "Hey Baby, Everything's Gonna Be Alright Yeh Yeh Yeh," the semi-Santana fusion of "Cubano Chant," and the heavy blues of "So Many Roads," all interrupted by "Mum's the Word," a dynamic Moog sequence that builds out of the theme from 2001, and then freefalls into total space rock.