Director Frank Darabont, who made an acclaimed feature film debut with The Shawshank Redemption (1994), based on a Stephen King novel set in a prison, returns for a second feature, based on King's 1996 serialized novel set in a prison. In 1935, inmates at the Cold Mountain Correctional Facility call Death Row "The Green Mile" because of the dark green linoleum that tiles the floor. Paul Edgecomb (Tom Hanks) is the head guard on the Green Mile when a new inmate is brought into his custody: John Coffey (Michael Clarke Duncan), convicted of the sadistic murder of two young girls. Despite his size and the fearsome crimes for which he's serving time, Coffey seems to be a kind and well-mannered person who behaves more like an innocent child than a hardened criminal. Soon Edgecomb and two of his fellow guards, Howell and Stanton, notice something odd about Coffey: he's able to perform what seem to be miracles of healing among his fellow inmates, leading them to wonder just what sort of person he could be, and if he could have committed the crimes with which he was charged.
2012 two CD collection devoted to the works of Motown session keyboardist (and Funk Brother extraordinaire) Earl Van Dyke. Originally, some of the Hitsville studio musicians would be ''allowed'' to cut soulful Blues and Jazz tracks for the company's Workshop Jazz label, as long as they handled the regular gig, cutting hits on the Hitsville U.S.A. assembly line. By 1964, however, Workshop Jazz was dead. Motown made good on their promise, somewhat, giving Earl Van Dyke a rare opportunity in the spotlight by issuing in his name a single and a subsequent LP, That Motown Sound. Earl's artistic disappointment belies the gems contained within those vocal-less Motown hits and the additional bonus tracks from Motown's vaults that comprise Disc One of this set. Additional previously unheard nuggets can be found amongst the bonus tracks on Disc Two.