This high-speed action comedy stars Charlie Sheen as Jack Hammond, who has been given a life sentence for a bank robbery that he didn't commit. Hammond manages to escape, and while trying to avoid capture at a gas station, he ends up kidnapping Natalie Voss (Kristy Swanson); he threatens her with what she thinks is a gun, although it turns out to be a candy bar. Jack and Natalie take off in her BMW, with Jack unaware that his "victim" is actually Dalton Voss (Ray Wise), one of California's richest and most powerful land barons. Soon half the state's law enforcement officers and every member of the media is on Jack's tail as he races down the highway; in the meantime, Natalie and Jack get to know each other, and while she doesn't much care for him at first (as you might imagine), before long her attitude has softened quite a bit. Alternative rock fans might want to keep an eye peeled for Henry Rollins, playing a policeman, and Anthony Kiedis and Flea from The Red Hot Chili Peppers as a pair of yahoos with a very large truck.
Marvin the Album is one of those recordings that cannot be fully absorbed on the first or second listen. But after several listens, one starts to realize just how strong this abstract pop-folk-rock release is. With a quirky and waifish vocal style along the lines of Suzanne Vega, lead singer Angie Hart can take a bit of getting used to. Her singing is definitely an acquired taste, but it's a taste well worth it. The more one listens to Frente!'s strange acoustic cover of New Order's "Bizarre Love Triangle," as well as subtle originals like "Explode," "Pretty Friend," and "Lonely," the more one realizes how expressive and appealing she is. Guitarist Simon Austin, meanwhile, handles most of the vocals on "See/Believe," which sounds like a bizarre cross between jazz and Bob Dylan. Frente! isn't a band that stresses the obvious, and the Australians use subtlety and understatement to great advantage on this striking date.
Under the Pink is the second solo album by singer-songwriter Tori Amos. It had sold around 220,000 copies in the UK by the end of 1994, finishing that year as the UK's 61st best-selling album. This album was included in Blender magazine's list of 500 CDs You Must Own. It was voted among the greatest albums of the 1990s by Rolling Stone magazine some years later.