Although a fourth Aynsley Dunbar Retaliation album (Remains to Be Heard) would be cobbled together from outtakes and recordings done without Dunbar, their third LP, To Mum, From Aynsley and the Boys, was truly the final proper full-length release by the original group. Dunbar had expressed some interest in moving further afield from the blues-rock format around the time the record was done, and the addition of keyboardist Tommy Eyre (from the Grease Band) to the lineup was one step in that direction. The enlistment of John Mayall as producer was perhaps another step in attempting to refine their sound. Still, much of To Mum, From Aynsley and the Boys is pretty standard late-'60s British blues-rock, in line with the previous two albums by the band. Eyre does inject some of the arrangements with a jazzy, more R&B feel, particularly on "Leaving Right Away" and the instrumental "Unheard," the latter of which sounds like a rock band trying to do modern jazz and finding themselves a bit out of their depth.
The eighth and ninth studio albums (there was a live recording between them) from the Atlanta Rhythm Section got a belated U.K. CD release in 2010. These closed out the act's affiliation with Polydor Records and are condensed onto a single CD here, as well as digitally remastered. It's another in the classy series of ARS reissues from BGO, which has treated the Southern pop act's catalog with utmost respect on four previous discs that bring the group's original albums back in print for collectors and music fans who want more than the 17 hits on Polydor's well-chosen 1982 vintage Best Of. Liner notes from Campbell Devine tend to be fawning but include a comprehensive history of the band, recounting its story leading up to and even after the recording of these tunes. Musically, ARS captured a unique style halfway between the smooth West Coast pop of the late '70s and the Southern rock of the era.
Sawyer Brown is an American country music band founded in 1981 in Apopka, Florida, by five members of country pop singer Don King's road band: Bobby Randall (guitar) and Jim Scholten (bass guitar), both from Midland, Michigan; Joe Smyth (drums), Gregg "Hobie" Hubbard (keyboards), and Mark Miller (lead vocals). After King retired in 1981, the five members decided to form a band, first choosing the name Savanna before switching to Sawyer Brown, also the name of a road near where they practiced. The Boys Are Back is a sixth studio album released by the band Sawyer Brown. Released in 1989 on Capitol Records, it features three singles: "The Race Is On" (a cover of a George Jones song), "I Did It for Love", and "Puttin' the Dark Back into the Night".
In the fourth decade of a jazz career in which he has always made a subtle art sound easy, US saxophonist still caresses old standards with the same urbane ecstasy he always has. In its hip-hop or contemporary-classical borrowings, free-improv extremes or north European minimalist whisperings, jazz is now a very different music to the sleek, swinging one Hamilton absorbed from his dad’s records as a boy. But nobody can accuse Hamilton of living in the past: it would be like telling someone they shouldn’t still be in love with a fascinating old partner.
One of the Boys is the third studio solo album by the Who's lead vocalist, Roger Daltrey. It was first released in 1977, on Polydor in the UK, and MCA in the US. The sessions were recorded at the Who's Ramport Studios during the winter of 1976 (vocals were recorded at Pathe Marconi Studios in Paris, due to tax complications), and Daltrey allowed students from the local Battersea technical school to film them as an educational project. This also marked the first time that Daltrey had written or co-written a song since "Here For More" (released as the B-side of the Who's "The Seeker") in 1970, and Lisztomania in 1975. Daltrey's original choice for producers were Jerry Leiber and Mike Stoller, but they declined.
The Aynsley Dunbar Retaliation's third and fourth (and final pair of) albums, To Mum, from Aynsley and the Boys and Remains to Be Heard, are combined into this two-CD reissue, which adds lengthy historical liner notes by British blues-rock expert Harry Shapiro. Although Remains to Be Heard would be cobbled together from outtakes and recordings done without Dunbar, their third LP, To Mum, from Aynsley and the Boys, was truly the final proper full-length release by the original group. Dunbar had expressed some interest in moving further afield from the blues-rock format around the time the record was done, and the addition of keyboardist Tommy Eyre (from the Grease Band) to the lineup was one step in that direction.
This tribute to Thin Lizzy features members of Iron Maiden, Ozzy Osbourne, Motorhead, and Grim Reaper reworking versions of the metal classics "Jailbreak," "Boys Are Back in Town," "Cowboy Song," "Chinatown," "Killer on the Loose," and "Dancing in the Moonlight." Fanatics of the band may want this to complete their collections but everyone else should stick to the originals.