If truth be told, the Allman Brothers Band have always been the quintessential American rock band, shaping a rootsy mix of blues, jazz, country, and rock into an elegant, nuanced sound that single-handedly created what became known as Southern rock. Full of beautiful dual guitar leads and driven by double drummers, and possessing a lead singer who, when he was on his game, had as much soul as anyone around, the Allman Brothers Band were also an improvisational band who found all kinds of new corners in their classic catalog when they played live, no matter what the configuration of the band was at the time.
The Allman Brothers shared the bill with the Grateful Dead on several notable occasions. This release recalls the Brothers in support of the Dead and Love in February 1970 at the fabulous Fillmore East. No specific dates for the performances are noted, so it is presumed this release is a composite from recordings made at some point during the two sets per night that the Allman's performed on February 11th through the 14th. There is no mistaking the unbridled fervor of the original line-up of the band. Rising to the challenge of exploratory psychedelia – while remaining ever faithful to their Southern blues roots – blues standards such as "(I'm Gonna Move to The) Outskirts of Town" and "Hoochie Coochie Man" are strengthened and extended beyond their typical assertions. No longer are they relegated to the inadequately rendered thrashings of garage rock. Betts and the Allman's understand the dynamics of blues. It is out of this respect for the art form that the band is able to pull off such authentic psychedelia-tinged Delta sounds.
Learn the trademark riffs and solos behind one of the most influential guitar bands of all-time! On this DVD, host Dave Celentano provides a step-by-step breakdown of the guitar styles and techniques of Duane Allman and Dickey Betts through the analysis of eight classics.
If you’re going to listen to the Allman Brothers, make sure you have the first four records. The band made The Allman Brothers Band, Idlewild South, At Fillmore East, and three-fourths of Eat a Peach with its original lineup, before Duane Allman’s fatal motorcycle accident in 1971. The Tom Dowd-produced Idlewild South, their second album, comes off with a little less ferocity than their debut — which is perhaps the result of reaching for new sounds the second time around. “Revival,” the album’s opener, introduces Dickey Betts as a composer.
Live at Ludlow Garage 1970 features 91 minutes of the Allman Brothers Band in concert at a Cincinnati venue that they loved, nearly a year before their legendary Fillmore shows. The acoustics are good, though a little shaky – the tape was made at seven-and-a-half IPS, the bare minimum professional standard, which leaves more hiss than one might like and a bit less clarity than a fully professional live album might show. On the other hand, the group's sound imparts its own punch and clarity, and it was done in stereo, and if not for the existence of the Fillmore tapes, and the fact that the albums they yielded sold a kajillion copies, this show might well have been released in the 1970s. It isn't as intense as the Fillmore shows, but it does capture the group as a little-known working band with but a single album out and building a reputation – and with Dickey Betts yet to emerge as either a singer or composer and their sound still being worked out ("Statesboro Blues" gets a startlingly subdued performance, anticipating the acoustic version of "In Memory of Elizabeth Reed" from the '90s recording An Evening with the Allman Brothers Band: 2nd Set).
The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.
Blending rock, blues, country, and jazz, the godfathers of Southern rock in all its wild, woolly glory. Collection includes: 'The Allman Brothers Band' (1969); 'Idlewild South' (1970); 'At Fillmore East' (1971); 'Eat A Peach' (1972); 'Brothers And Sisters' (1973).