This is a good collection of piano-accompanied vocals sporting bluesmen who worked the lumber camps and oil fields of rural Texas, as well as the red-light districts of cities like Galveston and Houston. Big Boy Knox shows a strong city influence in his decorative right-hand work, as does Robert Cooper, whose playing points to the influence of Fats Waller. Joe Pullem is on board with his hit, "Black Gal," which is perhaps overstated by three takes and a variation. The vocals are good, however, and the piano playing is uniformly excellent. Stylistically, this music falls somewhere between ragtime, blues, and vaudeville.
Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
Texas Rhody Blues, featuring Jimmie Vaughan and Duke Robillard, is the third Knickerbocker All-Stars CD release. This CD has its roots in The Newport Folk and Jazz Festivals of the late 1950s and early ‘60s which turned many white soul searchers on to blues, rhythm and blues, and jump blues…
With over a dozen dates under their belts Crimson were really hitting their stride, playing a high-energy show and unveiling new material such as The Night Watch, Lament and Fracture. In the latter’s case, it’s so new that the paint is still wet with a couple of sticky moments evident around the intro. However, the real surprise comes around the 6.30 mark in Fracture - with an unreleased section they later discarded, propelled by a mighty Wetton bass line that reappears on Red’s Starless. An improvised section prior to those familiar rasping chords adds a pinch of wonder to this tale of the unexpected, making it a glimpse of an alternative Fracture.
Instructional series in harmony with traditional instruction that specializes in teaching the aspiring pianist all of the important skills.
Gain rare insight into the musical thinking of one of the most influential popular songwriters and arrangers in America. Donald Fagen analyses three Steely Dan hits ("Chain Lightning," "Peg," "Josie") and two solo works from his Grammy-nominated album Kamakiriad ("On The Dunes," "Teahouse On The Tracks"). These songs use familiar blues and R&B structures, and Donald explains how, by altering the bass line and chordal qualities, he transformed them into sophisticated jazz-rock compositions. You'll trace the development of increasingly complex pieces as Donald and Warren Bernhardt reveal each tune's singular structure, harmonic and rhythmic characteristic, intro ideas and other devices.
We are very excited and honored to be able to offer a DVD by one of America's most important and distinctive musical voices. In a far ranging conversation with noted record producer and Saturday Night Live musical director Hal Willner, Mac Rebennack (a.k.a. Dr John) performs his remarkable music, discusses his influences, and shares early musical memories and intriguing stories of a life in the music business.