Terence Blanchard's 2013 return to Blue Note, Magnetic, built upon his decades-long history of post-bop dynamism with a forward-thinking approach that blended edgy, modal improvisation with a sophisticated, genre-crossing compositional style. It was a concept he had been investigating on his previous efforts Bounce (2003), Flow (2005), and Choices (2009), and, though it had been years since Blanchard was considered a young lion, the eclecticism of the album matched the work of many of his younger contemporaries like trumpeter Christian Scott and pianist Robert Glasper, the latter of whom even played on Bounce.
The Grammy-winning trumpeter/composer returns to his jazz-renaissance roots with a set steeped in the glossy hues and tones of New York City at night. Blanchard’s score for the soundtrack of Robert De Niro’s new film captures a late-life crisis with jaunty blues, brooding balladry and svelte modern jazz. The mood-setting themes have strong melodies and rhythmic edge, and with saxophonist Ravi Coltrane stretching out and on-form pianist Kenny Barron leading a classy rhythm section, the jazz is for real. Blanchard pares his playing of excess, and plays beautifully.
Terence Kemp McKenna (November 16, 1946 - April 3, 2000) was an American researcher, philosopher, speaker, spiritual teacher and writer on many subjects. His works are wide-scoped, ranging from consciousness, the human experience, psychedelic substances and their role in societies, evolution of civilizations, origin of the universe to aliens.
Des trois grands courants spirituels chinois, l'auteur retrace avec clarté une histoire plurimillénaire de rivalités autant que de dialogues et d’influences. Surtout, il nous montre ce que ces sagesses ont d’universel…