"In the early '80s, Tânia Maria burst upon the U.S. music scene, playing an exuberant blend of Brazilian pop and jazz. Her first few recordings for Concord Picante (of which Come with Me is the third) remain her most rewarding sets. Maria's spirited vocals and hyper keyboard work star throughout the date (which finds her interpreting seven of her originals and "Embraceable You"), supported by a sextet including both Eddie Duran and José Neto on guitar. Worth checking out." ~AMG
In the early '80s, Tânia Maria burst upon the U.S. music scene, playing an exuberant blend of Brazilian pop and jazz. Her first few recordings for Concord Picante (of which Come with Me is the third) remain her most rewarding sets. Maria's spirited vocals and hyper keyboard work star throughout the date (which finds her interpreting seven of her originals and "Embraceable You"), supported by a sextet including both Eddie Duran and José Neto on guitar.
Though pianist and singer Tânia Maria's Intimidade was originally released in the fall of 2005, it didn't become domestically available in the U.S. until the next year when Blue Note issued it, which is a good thing for American fans of Brazilian jazz, or jazz, or just good music in general. Because Intimidade is a great album, rich and full while not sounding ornate. It's an intimate affair (hence the title, perhaps), Maria with her bassist (bassists actually, as there are three that play on the album, including the great Eddie Gómez, with whom she has a conversation – both musical and verbal – on "E' Tão Gostoso Seu Moco") and percussionists working together to create sophisticated, sensual, warm music that comes out of the speakers and into the room like something tangible, something with substance and actual measurable qualities like viscosity and weight.
Brazilian jazz vocalist and pianist Tania Maria's career has spanned over three decades, starting when she was just 13 and she fronted a band of professional musicians organized by her father, who was a metal worker and gifted amateur musician. He had encouraged her to study piano so that she could accompany him on his weekend jam sessions, but her musical talent grew beyond those small performances. Maria's four sisters also had musical talents, but they eventually grew from their impoverished roots to become professionals, a path that Maria was on herself as well. She attended law school for two years, then married and had a family. The pull of music was too strong, however, and in 1971 she released her first album in Brazil, Olha Quem Chega.
Tania Maria's second Concord release (which, as with her other output, has been reissued on CD) is still one of her best sets. The repertoire - five of her originals, "Imagine," and "Cry Me a River" is diverse; the band (a sextet with two percussionists and guitarist Eddie Duran) is excellent and there is plenty of space for Maria's keyboard work in addition to her exuberant vocals. Throughout the set of Brazilian jazz-pop, Tania Maria is heard in prime form, making this an excellent introduction to her enthusiastic music.
Tania Maria's debut American release helped introduce her to U.S. audiences. Joined by a quintet that includes guitarist Eddie Duran, the exuberant vocalist and pianist performs four of her colorful originals, a couple of obscurities, and a song apiece by Jobim ("Triste") and Ivan Lins. Maria's mixture of Latin jazz with Brazilian pop is quite appealing and helped make her a popular star; this was one of her better efforts.
Tania Maria is a Brazilian artist, singer, composer, bandleader and piano player, singing mostly in Portuguese or English. Her music is mostly vocal, sometimes pop, often jazzy, and unmistakably Brazilian. Whether playing fiery samba,tranquil bossa,Afro-Latin, Pop and Jazz fusion, or any other style, she maintains a style that is uniquely her own. Her vibrant voice, brilliant piano work and outstanding performances have made an artist of increasing international popularity.
Brazilian singer/pianist/composer Tania Maria launched her career in France in the 1970s and sounds as energetic as ever. One of the original crossover artists, she combines classic Brazilian rhythms and sensibility with funk, jazz, pop, and a splash of rock & roll. Tania Maria is instantly recognizable: nobody would confuse her strong, lusty, distinctive voice and playful piano style (including those dissonant three-note fills) with anyone else.