"Le Parc" is an album by Tangerine Dream, which was released in May, 1985. Each track on the album is inspired by a particular park from somewhere around the world. "Le Parc" marked Tangerine Dream's last studio release with Johannes Schmoelling; he left the band in October 1985.
The Dream Roots Collection is a five-disc retrospective of Tangerine Dream's career, including one disc of previously unreleased material. All of the material on the collection has been remixed and reworked by Edgar Froese and his son Jerome, and while these remixes might not be historically accurate, they nevertheless retain the essence of the original versions, making the box an intriguing journey through the group's past. While the set is too extensive for casual listeners, hardcore fans will find the new mixes and rarities fascinating, making the set a worthwhile addition to their collection.
Having re-released a large part of Tangerine Dream's back catalog in 2009, the Germany based Membran label released the box set The Electronic Journey in September 2010. It contains ten full-length albums from the Membran catalog, all repackaged in cardboard sleeves and put together in a cardboard box. Recording date 1982-2006.
Underwater Sunlight was the first album Paul Haslinger recorded with Tangerine Dream and his presence is immediately felt. With Haslinger, the group relied more heavily on strict structures and jarring compositional flourishes, which is only appropriate, since he came directly from a classical background. The group hadn't quite figured out how to fully incorporate these techniques into their music, but the results on Underwater are nevertheless fascinating.
The material of this album was composed during Tangerine Dream's North American tour back in August/September 1988. Weeks after weeks in tourbusses, planes, hotels and various locations gave the two guys here the opportunity to get musically into something different off stage. The plan was to release the stuff as an on and off the road album later in the year. The road feeling as well as the summertime in the states had been a strong influence for these compositions. The album was completed while hanging out after the tour at a friend's place in LA. Because of various reasons the album had a delay for over about seventeen years before it now will be presented to the public…
Stratosfear, the last Tangerine Dream album by the great Baumann/Franke/Froese threesome, shows the group's desire to advance past their stellar recent material and stake out a new musical direction while others were still attempting to come to grips with Phaedra and Rubycon. The album accomplishes its mission with the addition of guitar (six- and 12-string), grand piano, harpsichord, and mouth organ to the usual battery of moogs, Mellotrons, and e-pianos. The organic instruments take more of a textural role, embellishing the effects instead of working their own melodic conventions. Stratosfear is also the beginning of a more evocative approach for Tangerine Dream…
The 35th anniversary concert found the band celebrating the recording of the landmark album Phaedra. The concert which was filmed on the 11th of June 2005 was performed in front of a sell out audience and featured material from Phaedra alongside newer more recent material. The band which features Thorsten Quaeschning, Linda Spa, Jerome Froese and Iris Camaa were filmed and recorded for this landmark concert and perform many pieces from the bands lengthy career including Phaedra '05, Rubycon Pt.1, Force Majeure, Logos and a cover of the Jimi Hendrix classic Purple Haze.
Electronic trio Tangerine Dream embrace their equipment and take their audience on an actual journey through this especially good, two-part showcase recorded live in France and Britain. Featuring the early and memorable lineup of Chris Franke, Edgar Froese, and Peter Baumann, Ricochet continuously evolves to the next plateau of pulsing experimentation without getting lost or over-indulgent like other bands of the genre. This album finds the three at a time when they knew exactly what they were doing; rocking without the drums, and looking over their shoulder to make sure the audience was still enjoying themselves. It takes a snapshot of the band when they were young, influential, and at the height of the genre.