Neverending White Lights is a groundbreaking collaborative project, band, and conceptual album series from recording artist & producer Daniel Victor. With three releases to date, Victor has incorporated artists from many different groups across the globe to help interpret his style of ethereal-alternative music. His brooding, melodic songwriting has shed new light on a wide array of voices in the industry and created a unique experience for listeners. In the later stages of producing and writing, Victor has turned more to using his own voice to portray the heart of the material, as the project continues to shift and reveal itself in new ways. There is no way to accurately describe, solidify, or pigeonhole Neverending White Lights. It would be like trying to catch a ghost, or put a dream in your back pocket. It's not possible. Some things don't need defining. The journey here is about music, and only that.
After debuting with 1973's excellent but neglected Show Your Hand (later reissued as Put It Where You Want It), the Average White Band switched from MCA to Atlantic and hit big with this self-titled gem. Upon first hearing gutsy, Tower of Power-influenced funk like "Person to Person" and the instrumental "Pick Up the Pieces" (a number one R&B hit), many soul fans were shocked to learn that not only were the bandmembers white – they were whites from Scotland. Like Teena Marie five years later, AWB embraced soul and funk with so much conviction that it was clear this was anything but an "average" white band. This album is full of treasures that weren't big hits but should have been – including the addictive "You Got It," the ominous "There's Always Someone Waiting," and a gutsy remake of the Isley Brothers' "Work to Do." [When Rhino reissued AWB on CD in 1995, an edited live version of "Pick Up the Pieces" recorded at the 1977 Montreux Jazz Festival was added. (The full-length version had been included on Rhino's 1994 reissue of Warmer Communications.)[/quote]
This "Middle-Eastern", or rather a Central-Asian action film, about the Red Army fighting the counter-revolutionary robber bands has become not only a cult movie, but also one of the favorites for several generations of viewers. With Russian cosmonauts, it is a tradition to view this film before going to outer space. The film’s success paved the way for a genre of national “Eastern”. A demobbed soldier, Fyodor Sukhov, is making his way through the desert to his home village. The band of the brutal Abdulla is raging in that area. Sukhov is charged with escorting the chief’s harem, because Abdulla intended to kill his women rather than let them go free. Sukhov’s mate, a young soldier Petrukha, dies at the hand of Abdulla. But at the decisive moment, Sukhov gets help from the former customs officer Vereshchagin and a poor peasant, Said.